Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love ... See full summary »
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
On a quick trip to the city, young university professor Peter Morgan falls in love with nightclub performer Francey Brent and marries her after a whirlwind romance. But when he goes back ... See full summary »
On a trip to France, millionaire Jervis Pendelton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in ... See full summary »
Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love with Dr. Flagg. When he tries to use hypnosis to strengthen her feelings for Steven, things get complicated. Written by
In her 1991 autobiography, "Ginger: My Story," Miss Rogers related that the entire film originally was planned for Technicolor. However, other sources, including Arlene Croce's "The Fred Astaire & Ginger Rogers Book," a lauded study published in 1972, maintained that just one Irving Berlin song, "I Used to Be Color Blind," would have burst into Technicolor during the dance. Miss Croce explained that color tests were shot, but their quality was poor, so the scheme was dropped. See more »
At the end of the first brief dance at the dinner party, the music slows to a conclusion, but the conductor continues to move his arms as though the music is still playing. See more »
Not Their Best But Better Than Most Musicals: Yam-O-Rama!
Let it be said that I am a great fan of the RKO Astaire-Rogers musicals; that established, I also feel this is easily the weakest of the lot, for all kinds of reasons--and the script and the music itself are two of the drawbacks in a comedy that seems dreadfully drawn-out in spite of the fact that at 83 minutes, its the shortest film in the series; the plot a largely somewhat dull run-around concerning psychoanalysis. With two of the worlds most brilliant dancers, however, there are bound to be high spots and worth waiting for is The Yam, an incredibly choreographed, traveling dance routine that takes both stars through drawing rooms and patios, and ends with some of the most spectacular lifts Astaire ever managed, Rogers in the air and all smiles. It's fun to see Jack Carson in his first major film part, and little-known Luella Gear gets off a few off-color zingers. Ralph Bellamy is his usual respectable bore, and the final song Change Partners is a perfect classic of feeling matched perfectly with ensuing action. Not a stinker by any means, but for both stars, not one of their best.
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