Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love ... See full summary »

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(screen play), (screen play) | 4 more credits »
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Nominated for 3 Oscars. Another 1 nomination. See more awards »
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Cast

Complete credited cast:
...
...
Amanda Cooper
...
Stephen Arden
Luella Gear ...
Aunt Cora
...
Connors
Clarence Kolb ...
Judge Travers
...
Roland Hunter
Walter Kingsford ...
Dr. Powers
Kay Sutton ...
Miss Adams
The Robert Mitchell Boy Choir ...
(as Robert B. Mitchell and his St. Brendan's Boys)
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Storyline

Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love with Dr. Flagg. When he tries to use hypnosis to strengthen her feelings for Steven, things get complicated. Written by <lora5588@hotmail.com>

Plot Summary | Add Synopsis


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

2 September 1938 (USA)  »

Also Known As:

Amanda  »

Box Office

Budget:

$1,253,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Of the ten Astaire-Rogers match-ups, this picture contains the least musical sequences - just four. See more »

Goofs

In the golf sequence one of the 5 golf balls thrown on the solid base has rolled off onto the grass. After Fred has hit the first four balls, the camera cuts to a new angle and the last ball has moved from the grass to the solid base. See more »

Quotes

Amanda Cooper: [under hypnosis] Dr. Flagg is a horrible monster! Men like him should be shot down like dogs! Shot down like dogs! Shot down like dogs!
See more »

Crazy Credits

During opening credits, a pair of hands writes the names, pauses, wipes them out, and writes the next set of names several times. See more »

Connections

References The Saint in New York (1938) See more »

Soundtracks

Bridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
Played during the wedding
See more »

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User Reviews

 
Why Cut Corners With Astaire and Rogers????
14 September 2007 | by (Baltimore, MD) – See all my reviews

If you attempt to look at the plot carefully (never a good idea in a musical) this is a rather repellent movie. The practice of Psychotherapy wasn't as well known or as well respected as it is today, and the film was clearly written by someone who seemed to think of it as some fad medical cure indulged in mainly by rich and foolish women. As such we get to see Fred Astaire, the therapist, subjecting Ginger Rogers, the patient, to all manner of barbaric (to modern eyes) treatments in order to find out why she won't marry his best friend. Eventually Astaire uses hypnosis to force her to marry him, and then force him not to. Clearly, movie doctors were not subjected to as severe a code of ethics as are real ones.

Its a pretty typical outing for Astaire and Rogers. Astaire's dancing is extraordinary (the dance scene on the golf course is great, as is the one where he dances with a hypnotized Rogers). Rogers' comic timing is, as always, wonderful. The secondary characters are all two-dimension cut-outs, but they're entertaining ones. If the characters didn't have quite the same sparkle to their interplay, remember, this was Astaire and Rogers' eighth film together and artistic differences were beginning to create a strain.

My biggest issue with this movie was the scene in which they sing the song "I Used To Be Colorblind". This was dream sequence, and it lasted about five minutes. "Carefree" is a black and white movie and the intent originally was to film the dream sequence in color a'la "Wizard of Oz". Apparently, somewhere in the production process, people balked at the cost and it was produced in black and white along with the rest of the film. Being filmed in black and white makes the song, and the entire sequence makes not one lick of sense, because the song is about how crisp and clear the world seems in color. Not only that, but since it was designed to be viewed on color film, not in black and white, the sets weren't designed with that same high degree of contrasts they would have if they had been designed to be viewed in black and white. As such, things in the dream sequence are LESS clear than in the rest of the movie, not more. I'm just appalled that the studio could spring for a few minutes of color footage for a film with such proved money-makes as Astaire and Rogers.


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