Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »
The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »
William A. Seiter
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love with Dr. Flagg. When he tries to use hypnosis to strengthen her feelings for Steven, things get complicated. Written by
A comical scene in which psychiatrist Tony Flagg (Fred Astaire) attempts to analyze a light-headed patient (Grace Hayle) was deleted from the release print. See more »
In the golf sequence one of the 5 golf balls thrown on the solid base has rolled off onto the grass. After Fred has hit the first four balls, the camera cuts to a new angle and the last ball has moved from the grass to the solid base. See more »
If you attempt to look at the plot carefully (never a good idea in a musical) this is a rather repellent movie. The practice of Psychotherapy wasn't as well known or as well respected as it is today, and the film was clearly written by someone who seemed to think of it as some fad medical cure indulged in mainly by rich and foolish women. As such we get to see Fred Astaire, the therapist, subjecting Ginger Rogers, the patient, to all manner of barbaric (to modern eyes) treatments in order to find out why she won't marry his best friend. Eventually Astaire uses hypnosis to force her to marry him, and then force him not to. Clearly, movie doctors were not subjected to as severe a code of ethics as are real ones.
Its a pretty typical outing for Astaire and Rogers. Astaire's dancing is extraordinary (the dance scene on the golf course is great, as is the one where he dances with a hypnotized Rogers). Rogers' comic timing is, as always, wonderful. The secondary characters are all two-dimension cut-outs, but they're entertaining ones. If the characters didn't have quite the same sparkle to their interplay, remember, this was Astaire and Rogers' eighth film together and artistic differences were beginning to create a strain.
My biggest issue with this movie was the scene in which they sing the song "I Used To Be Colorblind". This was dream sequence, and it lasted about five minutes. "Carefree" is a black and white movie and the intent originally was to film the dream sequence in color a'la "Wizard of Oz". Apparently, somewhere in the production process, people balked at the cost and it was produced in black and white along with the rest of the film. Being filmed in black and white makes the song, and the entire sequence makes not one lick of sense, because the song is about how crisp and clear the world seems in color. Not only that, but since it was designed to be viewed on color film, not in black and white, the sets weren't designed with that same high degree of contrasts they would have if they had been designed to be viewed in black and white. As such, things in the dream sequence are LESS clear than in the rest of the movie, not more. I'm just appalled that the studio could spring for a few minutes of color footage for a film with such proved money-makes as Astaire and Rogers.
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