Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love ... See full summary »
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
On a quick trip to the city, young university professor Peter Morgan falls in love with nightclub performer Francey Brent and marries her after a whirlwind romance. But when he goes back ... See full summary »
On a trip to France, millionaire Jervis Pendelton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in ... See full summary »
Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love with Dr. Flagg. When he tries to use hypnosis to strengthen her feelings for Steven, things get complicated. Written by
In her 1991 autobiography, "Ginger: My Story," Miss Rogers related that the entire film originally was planned for Technicolor. However, other sources, including Arlene Croce's "The Fred Astaire & Ginger Rogers Book," a lauded study published in 1972, maintained that just one Irving Berlin song, "I Used to Be Color Blind," would have burst into Technicolor during the dance. Miss Croce explained that color tests were shot, but their quality was poor, so the scheme was dropped. See more »
As Amanda (Ginger Rogers) exits the taxi cab and starts to cross the street for the theatre, you can see the reflection of the roof line behind her in the large piece of plate glass on the truck. On the roof line you can see the rigging pipes for lights and other equipment showing it's a back lot set. See more »
If you attempt to look at the plot carefully (never a good idea in a musical) this is a rather repellent movie. The practice of Psychotherapy wasn't as well known or as well respected as it is today, and the film was clearly written by someone who seemed to think of it as some fad medical cure indulged in mainly by rich and foolish women. As such we get to see Fred Astaire, the therapist, subjecting Ginger Rogers, the patient, to all manner of barbaric (to modern eyes) treatments in order to find out why she won't marry his best friend. Eventually Astaire uses hypnosis to force her to marry him, and then force him not to. Clearly, movie doctors were not subjected to as severe a code of ethics as are real ones.
Its a pretty typical outing for Astaire and Rogers. Astaire's dancing is extraordinary (the dance scene on the golf course is great, as is the one where he dances with a hypnotized Rogers). Rogers' comic timing is, as always, wonderful. The secondary characters are all two-dimension cut-outs, but they're entertaining ones. If the characters didn't have quite the same sparkle to their interplay, remember, this was Astaire and Rogers' eighth film together and artistic differences were beginning to create a strain.
My biggest issue with this movie was the scene in which they sing the song "I Used To Be Colorblind". This was dream sequence, and it lasted about five minutes. "Carefree" is a black and white movie and the intent originally was to film the dream sequence in color a'la "Wizard of Oz". Apparently, somewhere in the production process, people balked at the cost and it was produced in black and white along with the rest of the film. Being filmed in black and white makes the song, and the entire sequence makes not one lick of sense, because the song is about how crisp and clear the world seems in color. Not only that, but since it was designed to be viewed on color film, not in black and white, the sets weren't designed with that same high degree of contrasts they would have if they had been designed to be viewed in black and white. As such, things in the dream sequence are LESS clear than in the rest of the movie, not more. I'm just appalled that the studio could spring for a few minutes of color footage for a film with such proved money-makes as Astaire and Rogers.
7 of 8 people found this review helpful.
Was this review helpful to you?