Promoter Ed Hatch comes to the Ozarks with his slow-witted wrestler Joe Skopapoulos whom he pits against a hillbilly Amazon blacksmith, Sadie Horn. Joe falls in love with her and won't ... See full summary »
A paroled convict's efforts to improve conditions at a boys' reform school alarm the school's corrupt warden, who has been embezzling funds from the institution. He hatches a plan to derail... See full summary »
Ewald André Dupont,
The 'Dead End' Kids,
An older woman discovers that her multi-million dollar fortune was based on embezzlement, so she sets out to right the wrong. She goes to America to meet the young woman who is the one and ... See full summary »
Three of the four musically inclined daughters of Adam Lemp, the Dean of the Briarwood Music Foundation, are settling into their lives as wives, but not all is well. Thea Lemp has long ... See full summary »
Arnold Boult is determined to make his son a success at all costs. He commits arson, causes two suicides, and bribes people. His wife, unable to leave him, becomes alcoholic and dies. His ... See full summary »
Two lazy screenwriters need a story for the studio's cowboy star. A studio waitress turns out to be pregnant. This gives them the idea for a movie about a cowboy and a baby. The waitress's ... See full summary »
The story of men at war and that of the esteemed Pulitzer prize winning war correspondent Ernie Pyle. Soon after the U.S. entry into World War II, Pyle joined C Company, 18th Infantry in ... See full summary »
William A. Wellman
The play opened on Broadway in New York City, New York, USA on 16 December 1936 and closed in May 1938 after 577 performances. Eddie Albert originated his movie role as Bing Edwards in the play. The opening night cast also included Frank Albertson as Billy Randolph, Wyn Cahoon as Joyce Winfree, José Ferrer as Dan Crawford and Ezra Stone as Misto Bottome. See more »
Fast moving farce gets a lift from Eddie Albert...
EDDIE ALBERT plays a hapless Virginia Military Institute cadet who gets into all kinds of scrapes because of his brash friend, WAYNE MORRIS, an actor Warner Bros. was grooming for stardom. Albert is so professional that he's a pleasure to watch as he goes from one zany situation after another accompanied by Morris and Reagan.
Way down in the cast credits are JANE WYMAN and RONALD REAGAN, still up-and-coming future stars developing a light touch for comedy. PRISCILLA LANE and JANE BRYAN play the other two gals who get entangled in all the farcical situations involving the cadets.
It's typical broad comedy material from a successful stage play with Albert repeating his Broadway stage role and showing what a fine comedian he could be, his genial personality supplying most of the laughs. WAYNE MORRIS is a bit strident as the top-billed lead, but PRISCILLA LANE does a nice job as his wholesome girl friend.
It's strictly fluff, '30s style, and passes the time without being anything you're likely to remember too fondly unless you love this type of screwball comedy directed by William Keighley.
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