8.0/10
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258 user 113 critic

Bringing Up Baby (1938)

Not Rated | | Comedy, Family, Romance | 18 February 1938 (USA)
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1:37 | Trailer

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ON DISC
While trying to secure a $1 million donation for his museum, a befuddled paleontologist is pursued by a flighty and often irritating heiress and her pet leopard, Baby.

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Writers:

(screen play), (screen play) | 1 more credit »
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2 wins. See more awards »

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Cast

Complete credited cast:
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Major Applegate (as Charlie Ruggles)
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Virginia Walker ...
John Kelly ...
Elmer
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Storyline

Mild mannered zoology professor Dr. David Huxley is excited by the news that an intercostal clavicle bone has been found to complete his brontosaurus skeleton, a project four years in the construction. He is equally excited about his imminent marriage to his assistant, the officious Alice Swallow, who is interested in him more for his work than for him as a person. David needs the $1 million endowment of wealthy dowager Mrs. Carleton Random to complete the project. Her lawyer, Alexander Peabody, will make the decision on her behalf, so David needs to get in his favor. However, whenever David tries to make a good impression on Peabody, the same young woman always seems to do something to make him look bad. She is the flighty heiress Susan Vance. The more David wants Susan to go away, the more Susan seems not to want or be able to. But David eventually learns that Alexander Peabody is her good friend, who she calls Boopy, and Susan's Aunt Elizabeth, with whom David has also made a bad ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

And so begins the hilarious adventure of Professor David Huxley and Miss Susan Vance, a flutter-brained vixen with love in her heart! [Theatrical trailer.]

Genres:

Comedy | Family | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

18 February 1938 (USA)  »

Also Known As:

Leoparden küßt man nicht  »

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Box Office

Budget:

$1,073,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Near the end of filming, Katharine Hepburn's name appeared in a trade ad placed by the Independent Theatre Owners Association at the top of a list of performers they considered "box-office poison." Also on the list were Joan Crawford, Greta Garbo and Marlene Dietrich. The publicity about Hepburn's lack of popularity did little to help the film at the box office. See more »

Goofs

Around 1:02:00 David talks about "Major Appletree" instead of Major Applegate. See more »

Quotes

[first lines]
Prof. LaTouche: Good morning, Miss Swallow.
Alice Swallow: Shh.
Prof. LaTouche: Why what's the matter ?
Alice Swallow: Doctor Huxley is thinking.
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Connections

Referenced in Gilmore Girls: Run Away, Little Boy (2001) See more »

Soundtracks

I Can't Give You Anything but Love
(1928) (uncredited)
Words by Dorothy Fields
Music by Jimmy McHugh
Played as background music very often throughout the film
Sung a cappella by Katharine Hepburn and Cary Grant
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Frequently Asked Questions

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User Reviews

Classic Screwball Comedy
8 June 2004 | by See all my reviews

Maybe the prototypical example of the breed, in fact. Zoologist Grant (we'd call him a paleontologist nowadays) goes to a golf course to try to wrangle money out of a potential donor: along the way he meets up with Katherine Hepburn, and they have all sorts of wacky misadventures.

Grant's great, though it's not a typical role for him -- he's uptight, buttoned down, smothered. He's clearly the superego character, straitlaced and repressed and anti-life (it's no accident he works with bones). Hepburn was never lovelier than she was here -- she's the id character, all action and movement. There's a dedicated minority of people who hate this movie, mostly I think because they see the things Hepburn's character does as cruel. That's the point. Hepburn's not supposed to be nice -- she's id. We laugh partly because Grant needs to be loosened up, but partly because some of Hepburn's actions are shocking. Ideally, we should be in the same position as Grant in the movie: half-attracted, half-afraid.

Great "rat-a-tat" dialog in the classic Hollywood tradition. I can't think of many screenwriters today who could deliver such dialog. Highly recommended, one of the great Hollywood comedies.


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