A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
Marge is a capable secretary, but her bosses are more interested in her than her abilities. This causes her to be frequently unemployed. To get a job, she changes her look to make herself ... See full summary »
Mild mannered zoology professor Dr. David Huxley is excited by the news that an intercostal clavicle bone has been found to complete his brontosaurus skeleton, a project four years in the construction. He is equally excited about his imminent marriage to his assistant, the officious Alice Swallow, who is interested in him more for his work than for him as a person. David needs the $1 million endowment of wealthy dowager Mrs. Carleton Random to complete the project. Her lawyer, Alexander Peabody, will make the decision on her behalf, so David needs to get in his favor. However, whenever David tries to make a good impression on Peabody, the same young woman always seems to do something to make him look bad. She is the flighty heiress Susan Vance. The more David wants Susan to go away, the more Susan seems not to want or be able to. But David eventually learns that Alexander Peabody is her good friend, who she calls Boopy, and Susan's Aunt Elizabeth, with whom David has also made a bad ... Written by
In 2007, the American Film Institute ranked this as the #88 Greatest Movie of All Time. See more »
The wildcat used in the role of "Baby the leopard" is actually a jaguar, an entirely different species from another continent. Leopards are from Africa; jaguars are native to South America, and occasionally sighted in the American Southwest. Ironically Katherine Hepburn's character says her brother sent it to her from South America, but she still calls it a leopard. See more »
It's not just a classic - It's a timeless one! Katharine Hepburn (by her own accounts) was in two minds about playing screwball comedy. But she pulls off the characterization of the mad-cappest heroin/heiress ever portrayed on film. It's NOT Kate. It's Kate brilliantly breaking out of her 1930s typecast. The pace is fast, Cary Grant is brilliant as the professor Kate harasses/helps/falls in love with throughout. And what about Susan's aunt and the major? Priceless! Kudos to Baby, as well. I think maybe a few reviewers have been taking their humor from watching 1930s European comedies. Unless it's all out and out vaudeville or cabaret transpositions you're watching, I wouldn't recommend making those your standards for judging "Bringing Up Baby". Worse still if you're judging by American/European standards of the 21st Century. I'm not saying you're wrong, I'm just saying since you can't compare this to virtually anything of those, just enjoy the ride. The Acting you CAN compare, though. And I put my money & soul on Hepburn, Grant & Baby every time.
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