A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
Mild mannered zoology professor Dr. David Huxley is excited by the news that an intercostal clavicle bone has been found to complete his brontosaurus skeleton, a project four years in the construction. He is equally excited about his imminent marriage to his assistant, the officious Alice Swallow, who is interested in him more for his work than for him as a person. David needs the $1 million endowment of wealthy dowager Mrs. Carleton Random to complete the project. Her lawyer, Alexander Peabody, will make the decision on her behalf, so David needs to get in his favor. However, whenever David tries to make a good impression on Peabody, the same young woman always seems to do something to make him look bad. She is the flighty heiress Susan Vance. The more David wants Susan to go away, the more Susan seems not to want or be able to. But David eventually learns that Alexander Peabody is her good friend, who she calls Boopy, and Susan's Aunt Elizabeth, with whom David has also made a bad ... Written by
Howard Hawks helped Cary Grant with his part by telling him to recall images of one of his favourite comics, Harold Lloyd, and to contemplate a man imitating a whinnying horse when extreme nervousness was needed in a scene. See more »
When Susan is dragging the wild leopard into the jail house, immediately after she utters the words, "Hey David," an obviously mechanical stand-in for Baby (seated on top of the table) is seen turning its head. See more »
Maybe the prototypical example of the breed, in fact. Zoologist Grant (we'd call him a paleontologist nowadays) goes to a golf course to try to wrangle money out of a potential donor: along the way he meets up with Katherine Hepburn, and they have all sorts of wacky misadventures.
Grant's great, though it's not a typical role for him -- he's uptight, buttoned down, smothered. He's clearly the superego character, straitlaced and repressed and anti-life (it's no accident he works with bones). Hepburn was never lovelier than she was here -- she's the id character, all action and movement. There's a dedicated minority of people who hate this movie, mostly I think because they see the things Hepburn's character does as cruel. That's the point. Hepburn's not supposed to be nice -- she's id. We laugh partly because Grant needs to be loosened up, but partly because some of Hepburn's actions are shocking. Ideally, we should be in the same position as Grant in the movie: half-attracted, half-afraid.
Great "rat-a-tat" dialog in the classic Hollywood tradition. I can't think of many screenwriters today who could deliver such dialog. Highly recommended, one of the great Hollywood comedies.
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