Bluebeard's Eighth Wife (1938)

Passed  |   |  Comedy, Romance  |  18 March 1938 (USA)
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Ratings: 7.4/10 from 2,028 users  
Reviews: 19 user | 17 critic

The daughter of a penniless marquis teaches her multi-millionaire fiancé a lesson, after learning he has had 7 previous wives.



(screenplay), (screenplay), 2 more credits »
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Complete credited cast:
Michael Brandon
The Marquis De Loiselle
Albert De Regnier
Elizabeth Patterson ...
Aunt Hedwige
Herman Bing ...
Monsieur Pepinard
Warren Hymer ...
Kid Mulligan
Assistant Hotel Manager
Armand Cortes ...
Assistant Hotel Manager
Rolfe Sedan ...
Professor Urganzeff
Lionel Pape ...
Monsieur Potin
Tyler Brooke ...


US multi-millionaire Michael Barndon marries his eight wife, Nicole, the daughter of a broken French Marquis. But she doesn't want to be only a number in the row of his ex-wives and starts her own strategy to "tame" him. Written by Stephan Eichenberg <>

Plot Summary | Add Synopsis


He married in haste and repeated in pleasure!


Comedy | Romance


Passed | See all certifications »





Release Date:

18 March 1938 (USA)  »

Also Known As:

A Oitava Esposa de Barba-Azul  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


This film was based on a French play by Alfred Savoir that was translated into English by Charlton Andrews and produced on Broadway. The New York production opened on Sept. 19, 1921 at the Ritz Theatre and ran for 155 performances. It has previously been produced as a silent film starring Gloria Swanson, Bluebeard's Eighth Wife (1923). See more »


When Nicole shuts the door to her part of the apartment to keep Michael out, you can hear her locking it. But throughout the film there is no keyhole or lock visible on either side of her door. See more »


Nicole de Loiselle: I wish someone would tell you what I really think of you.
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Version of Bluebeard's Eighth Wife (1923) See more »


from "Quintetto per archi E major, Op.11-5 (G.275)"
Composed by Luigi Boccherini
In the score when Brandon sees the Louis XIV bathtub
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User Reviews

Much is weak about this big talent film
27 October 2014 | by (United States) – See all my reviews

Who wouldn't like a movie with Gary Cooper? Or one with Claudette Colbert? Or one directed by Ernst Lubitsch? Who wouldn't like a comedy film written by Billy Wilder? The answers to all of these questions would be very few people (among movie fans who have seen a body of work dating from the early years of Hollywood). So, when one film has all of these great talents involved in it, well … most of us would probably expect the spectacular.

Unfortunately, "Bluebeard's Eighth Wife" is far from the mark. It's not bad, but it's not much better than mediocre. I am a little surprised that a few reviewers scored it a 10. But, with leveler heads, others noted some of the things I did about this film. Oh sure, it has some witty lines and scenes. In the opening we see Michael Brandon (played by Cooper) looking in a store window in what looked to me to be Nice, France. A sign welcomes people in different languages. A sign in Spanish, German, French and English reads that that language is spoken here. A fifth line, after English, reads, "American understood."

Then, as Brandon walks through the store, a salesman tries to interest him in one product after another. Walking beside him with a men's cologne bottle, the salesman says, "It's the contention of our management that the man who smells is a thing of the future." To which Brandon replies, "You ought to go a long way." But after that, the clever and funny lines are few and far between.

The next scene in the store is where Brandon and Nicole De Loiselle (played by Claudette Colbert) meet. It is amusing but not hilarious. And, from then on, the attempts at humor are mostly one-liners with no response. Cooper is very stiff and wooden in this film, and there is absolutely no chemistry between these two stars. Colbert is Colbert – a very good actress at whatever she puts her heart into. But when the script is poor, as this one is, one actor is not going to save a film. The characters are not matched well, and the direction is lacking.

One other reviewer commented on the weak premise for this film, and I agree. That could have been part of why the film flopped at the box office. But, moviegoers in that day knew good actors and directors and writers, and so they probably expected something very good. I give this five stars for Colbert's performance and that of the supporting cast, especially Edward Everett Horton as her movie father. David Niven's part was OK, but in a couple of scenes, he seemed to be an afterthought of the screenwriter. I can see how some viewers felt bored about half way into the film. It did stretch out far too much, probably losing much of the audience interest at the point.

For some top Hollywood people of the time, Bluebeard would have to rank toward the bottom of their portfolios.

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