The trustees of Midwestern University have forced three teachers out of their jobs for being suspected communists. Trustee Ed Keller has also threatened mild mannered English Professor ... See full summary »
Olivia de Havilland,
An actor, Paul Orman, is accidentally told that his new, custom made tail coat has been cursed and it will bring misfortune to all who wear it. As the 4 succeeding wearers of the coat ... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Jonathan Street is a struggling composer when he meets and marries Annette. The problem is that Jonathan was drunk and does not want to be married. Annette does go with him to Paris and ... See full summary »
A simple peasant is forced to take up arms to defend his farm during the Spanish Civil War. Along the way he falls in love with Russian whose father is involved in espionage. Written by
Herman Seifer <email@example.com>
The original title of this film was "The River is Blue" and the original director was to be Lewis Milestone. Kurt Weill even wrote music for the original project that was never used (lyrics by 'Ann Ronell)'. The title was changed to "Castles in Spain," then to "Blockade." The topic of the Spanish Civil War was politically sensitive and there is some hint that the upheavals of the original project were due to the political content of the film. See more »
[last lines, after being told to find peace]
Marco: Peace? Where can you find it? Our country's been turned into a battlefield! There's no safety for old people and children. Women can't keep their families safe in their houses; they can't be safe in their own fields! Churches, schools, hospitals are targets! It's not war; war is between soldiers! It's murder! Murder of innocent people! There's no sense to it. The world can stop it! Where's the conscience of the world?
See more »
The Fonda/Caroll romance is one of the weakest you can see in a thirties film.He seems to appear haphazardly at the most awkward moments.That leads us to a Corneille-like situation:Fonda has killed his love's father.
Politically,the film remains vague,always referring to the enemy as "they" like in Borzage 's 'three comrades" (but that was a great film though).The war was over on the first of March 1939;thus the film ,made in 1938,warns us ,in a clumsy way,that it's only the beginning:propaganda movies can be great,but it takes a strong screenplay (best example:"the mortal storm" Frank Borzage) and not a cat and mouse play between spies ,corrupt officers and profiteers of war.
In consequence ,the best scenes ,IMHO,are those which deal with the masses;the starving faces ,watching the ship sinking down are reminiscent of Eisenstein,whose influence was huge at the time.
4 of 7 people found this review helpful.
Was this review helpful to you?