Blake is in love with an aristocratic woman whose husband seriously injures him. Blake's friendship with Lord Nelson provides the basis for Blake's part in the growth of Lloyd's insurance ... See full summary »
Two innocent men are wrongly convicted of murder and sentenced to death. The fiance of one of them convinces a police detective of their innocence, and together they try to find the real ... See full summary »
A feud, the origins of which can barely be remembered, has been boiling for decades between two sheltered mountain families, the Tollivers and the Falins. With plans to build a railroad ... See full summary »
Out on patrol in the war-time desert a Canadian corporal reminisces about the woman he has left behind in London and ponders whether she will fall for the charms of his rival in love. At ... See full summary »
John M. Stahl
Having masterminded the hold up of his company office, a mining engineer is barred from the industry. He then sets up shop as an assayer, scheming to acquire a rich silver mine lease from its operators.
Yvonne De Carlo,
Police surround the apartment of apparent murderer Joe Adams, who refuses to surrender although escape appears impossible. During the siege, Joe reflects on the circumstances that led him to this situation.
Barbara Bel Geddes,
A simple peasant is forced to take up arms to defend his farm during the Spanish Civil War. Along the way he falls in love with Russian whose father is involved in espionage. Written by
Herman Seifer <email@example.com>
Producr Walter Wanger was not deterred by pre-release threats of problems and boycotts from pro-fascist foreign governments. He responded, "Not only do we meekly take intimidation from abroad, but we jump obediently when almost anybody in this country says, 'Frog!' It's ridiculous, and I , for one, don'y intend to continue. I'm going to release this Spanish picture as is, and if it's banned in Europe, I'll have to take my loss. See more »
Where is the conscience of the world?
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The Fonda/Caroll romance is one of the weakest you can see in a thirties film.He seems to appear haphazardly at the most awkward moments.That leads us to a Corneille-like situation:Fonda has killed his love's father.
Politically,the film remains vague,always referring to the enemy as "they" like in Borzage 's 'three comrades" (but that was a great film though).The war was over on the first of March 1939;thus the film ,made in 1938,warns us ,in a clumsy way,that it's only the beginning:propaganda movies can be great,but it takes a strong screenplay (best example:"the mortal storm" Frank Borzage) and not a cat and mouse play between spies ,corrupt officers and profiteers of war.
In consequence ,the best scenes ,IMHO,are those which deal with the masses;the starving faces ,watching the ship sinking down are reminiscent of Eisenstein,whose influence was huge at the time.
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