Crosby plays a Philadelpia Quaker engaged to a Southern belle. He becomes a social outcast when he refuses to fight a duel. Fields then hires him to perform on his riverboat, promoting him ... See full summary »
Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "... See full summary »
Bob Hope is being stalked by a predatory widow who is a widow of wealthy husbands many times over. Martha Raye is a Texan heiress who wants to marry her boyfriend Andy Devine, but her ... See full summary »
Larson E. Whipsnade runs a seedy circus which is perpetually in debt. His performers give him nothing but trouble, especially Edgar Bergen and Charlie McCarthy. Meanwhile, Whipsnade's son ... See full summary »
Edward F. Cline
New ocean liner S.S. Gigantic is about to race its rival, the Colossal. Gigantic owner T.F. Bellows sends his brother S.B. on the Colossal, hoping he will cause trouble; delayed by a golf game, S.B. lands on Gigantic instead, and so does his unlucky daughter Martha. Meanwhile, radio emcee Buzz Fielding announces a series of musical acts and tries to juggle fiancée Dorothy and three ex-wives who've come for the ride. Can the Gigantic win against all handicaps? Will true love triumph? Written by
Rod Crawford <firstname.lastname@example.org>
W.C. Fields and Bob Hope are probably the reasons anyone would still watch The Big Broadcast of 1938
This was my third time in watching this movie when I popped the DVD in just now. It's notable as W.C. Fields' last for Paramount, and Bob Hope's first feature after years of doing shorts. It also marked the first time Hope performed what became his theme song-"Thanks for the Memory"-which, as performed here, was originally a bittersweet ditty of a love that had its ups and downs with Shirley Ross providing a nice share of wit in duetting with Hope in singing it. Fields is funny whether playing golf, pool, or trying to run the ship though I admit I rewinded some of his scenes to try to understand what he's saying! Two future Hope co-stars, Dorothy Lamour and Martha Raye, provide some charms along the way with Ms. Lamour singing a nice romantic ballad and Ms. Raye doing some great comic banter and slapstick. There's also some amusements from Ben Blue and a forgotten lady named Patricia Wilder as a Southern belle doing deadpan shtick. Oh, and an animated sequence produced by Leon Schlesinger though since he was just a money man, it could possibly have been helmed by whoever was the "supervisor" under him at the time like Fred "Tex" Avery, Robert Clampett, or Frank Tashlin. No great shakes but The Big Broadcast of 1938 is worth a look for historical reasons and if you find the people I mentioned entertaining.
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