After Police Captain Dan McLaren becomes police commissioner former detective Johnny Blake knocks him down convincing rackets boss Al Kruger that Blake is sincere in his effort to join the ... See full summary »
Edward G. Robinson,
Dr. Clitterhouse is fascinated with the working of the criminal mind. His interest is so deep that he finds the best way to observe criminals in action is to become one himself! Whilst robbing a safe at an exclusive party he stumbles across an organized gang trying to the same thing. He teams up with the gang to observe them in action but one of the members, Rocks Valentine would like nothing better than to see Clitterhouse out of the way. Written by
Col Needham <firstname.lastname@example.org>
At about 80 minutes into the film, the prosecutor cross examines the incomprehensible expert witness. In the first shot, the prosecutor unbuttons his jacket. In the next shot, he unbuttons it again. See more »
The next time we're escorted by an officer. we'll probably both be wearing handcuffs.
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Edward G. Robinson Rocks; Bogart in hoodlum mode; a fascinating film in many ways.
The Hollywood films from the '30s and '40s that are celebrated are often much inferior to the many clever forgotten and unpretentious films. "Dr. Clitterhouse" is twice as good as the two Fritz Lang pictures Robinson made, ten times better than Howard Hawks's silly, static "BAll of Fire" and 20 times better than CApra's pretentious 'black comedy' "Arsenic and Old Lace." It's fascinating not just because of the intricate, psychological, talk-heavy, crime-caper script written by John Huston and two others, but because Robinson, in his 'up' 'hyperactive' mode is beyond fascinating to watch. He plays a psychologist writing a thesis on criminality who goes undercover with a bunch of thieves led by Bogart, helping them rob better by planning their heists, while he studies them. Like Gable, Muni, Garfield, Cagney, and the Bogart of the post-Maltese-Falcon years, Robinson, when he's in 'gangsta' or 'noir' mode, is one of those immortal characters that given half a chance, a decent script and passable direction always transcends and makes a film watchable. Given Orson Welles or Billy Wilder, he ends up in masterpieces. If you like this film also check out "Tampico" and "Unholy Partners," two other forgotten Edward G.Robinson classics.
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