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William A. Seiter
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W.S. Van Dyke
A WOMAN IN LOVE . . . and her valiant struggle to win the happiness that is her woman's right . . . knowing she must choose forever between the man of her heart and the son she can never claim for her own! Drama fired with inspired performances . . . and the star of "Stella Dallas" at her greatest !
The story of a woman who has her pick of three men!
This movie is clearly one you must suspend all sense of disbelief in order to enjoy it. This isn't saying it's a bad film....I actually liked it. But it has a plot that certainly is far-fetched!
When the film begins, Margot (Barbara Stanwyck) is waiting for her fiancé to arrive at the marriage license bureau. However, as she's waiting he's killed in a traffic accident right in front of her!!! To make things worse, she's pregnant*! So you next see her about to kill herself when she is caught by Jim (Herbert Marshall) and he takes her under his wing and gets her back on her feet. He also helps her find a nice adoptive couple when her baby arrives months later. But although Jim is marvelous, he has a real wandering spirit and is sometimes gone for years on his sea travels.
In the meantime, while Jim is off on one of his voyages, Margot gets a job with a fashion studio and her life is really going well. In fact, soon a crazy Count, Gino (Caesar Romero), is chasing her and proposing marriage. He's a nice guy...just a bit full of himself.
Soon after, she sees an adorable kid in a hotel and realizes this boy is her biological son she gave up years ago! So, when she learns he's going on a cruise, she arranges to go on the same ship and soon the two become inseparable. But there is a huge problem-- the boy's mother has died and the woman his father (Ian Hunter) wants to marry is just awful and cares nothing for the boy....Margot's baby! So what's she to do and who is she to marry when THREE guys all pop the question?!
Thi is an enjoyable film mostly because although far-fetched, the acting is quite good and the story engaging. Well worth seeing, though it is one of Stanwyck's lesser-known films.
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