Andrew Manson, a young, enthusiastic doctor takes his first job in a Welsh mining town, and begins to wonder at the persistent cough many of the miners have. When his attempts to prove its ... See full summary »
Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold ... See full summary »
The adventurous Lady Edwina Esketh travels to the princely state of Ranchipur in India with her husband, Lord Albert Esketh, who is there to purchase some of the Maharajah's horses. She's ... See full summary »
Against all odds Father Flanagan starts "Boys' Town" after hearing a convict's story. Whitey Marsh comes there. He runs away but, hungry, returns. He runs away again but, when friend Pee ... See full summary »
Mary Barrett is an aspiring Opera singer who is taken under the wings of a famous operatic maestro, Guilio Monterverdi. After spending endless working hours together and arguing, their ... See full summary »
While most of the movie is fiction, once incident in the film was taken from Irving Berlin's life. During World War I, Berlin was drafted into the army, and produced a Broadway show called "Yip Yip Yaphank," starring U.S. Army servicemen. Berlin appeared in the show, singing the song, "Oh, How I Hate To Get Up In The Morning" (which Jack Haley performs in this film). At the end of each show, as depicted in the film, Berlin would lead the cast of servicemen down the theater aisle, singing "We're On Our Way To France." The show, "Yip Yip Yaphank," and Irving Berlin's follow-up World War II show, "This Is The Army," were both the subject of the film version of This Is the Army (1943), directed by Michael Curtiz. Berlin himself appears in the later film, singing, "Oh, How I Hate To Get Up In The Morning." See more »
An on-location establishing shot shows the Cliff House, a famous San Francisco restaurant, sitting on a cliff overlooking Ocean Beach. A 1930's model car drives by in the foreground. However, this scene takes place before World War I in the movie, so the car is about 25 years too early. See more »
The music that Tyrone Power "conducts" during the film's opening credits is the song "Marching Along With Time", which was ultimately cut from the film. The song, however, as sung by Ethel Merman, has survived as an outtake and can be seen as an extra feature on the DVD. See more »
I wouldn't want to put money on it, but I'm willing to say there must be at least 25 Irving Berlin songs in Alexander's Ragtime Band. This was the first of those Irving Berlin extravaganzas where a history of an era was told with his music, the others being Blue Skies and There's No Business Like Show Business.
After what happened to his score in Reaching for the Moon, Berlin demanded and got complete control in every film that he wrote or supplied the music for. And you will not hear one note of any other composer's music. Just listen to the background music and you'll see what I'm talking about.
The song Alexander's Ragtime Band is considered Berlin's first big popular hit and so a story was constructed around a group of itinerant musicians who when they hire girl singer Alice Faye make a huge hit with the selfsame Alexander's Ragtime Band.
So the film is about the lives and loves of Faye, Tyrone Power, Don Ameche, Ethel Merman, Jack Haley, etc. for an over quarter of a century. Except for Power, all these other folks are real talented musically and they contribute vocally with a lot of Irving Berlin old favorites. And Alice Faye and Don Ameche both sang a new tune Berlin wrote for this film, Now It Can Be Told. Faye's version is especially grand, one of her best movie songs.
Tyrone Power one of the finest of leading men in old Hollywood was unfortunately not blessed with a singing voice. Just hear him on a few bars of another Irving Berlin song in Second Fiddle and you'll see what I mean. He leads the band and it looks a bit ridiculous for him to be doing that and watching the others perform.
This film is the reason I've been long convinced that Darryl F. Zanuck hired John Payne, an actor who looked somewhat like Power and could contribute musically in films with Faye, Betty Grable and the rest of Fox female musical ladies.
Of course anyone who really loves Irving Berlin's music will watch this film and won't quibble about Tyrone Power not singing.
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