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The Adventures of Marco Polo (1938)

Passed  -  Adventure | Biography | Romance  -  15 April 1938 (USA)
5.7
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Ratings: 5.7/10 from 642 users  
Reviews: 25 user | 7 critic

Marco Polo travels from Venice to Peking, where he quickly discovers spaghetti and gunpowder and falls in love with the Emperor's daughter. The Emperor Kublai Khan is a kindly fellow, but ... See full summary »

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, (uncredited)

Writers:

(screen play by), (based on a story by)
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Title: The Adventures of Marco Polo (1938)

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Cast

Complete credited cast:
...
Sigrid Gurie ...
Princess Kukachin
...
Ahmed
George Barbier ...
Binnie Barnes ...
Nazama
Ernest Truex ...
Binguccio
...
Kaidu
...
Chen Tsu
Robert Greig ...
Chamberlain (as Robert Grieg)
Ferdinand Gottschalk ...
Persian Ambassador
Henry Kolker ...
Lotus Liu ...
Visakha
Stanley Fields ...
Bayan
Harold Huber ...
Toctai
...
Maid
Edit

Storyline

Marco Polo travels from Venice to Peking, where he quickly discovers spaghetti and gunpowder and falls in love with the Emperor's daughter. The Emperor Kublai Khan is a kindly fellow, but his evil aide Ahmed wants to get rid of Kublai Khan so he can be emperor, and to get rid of Marco Polo so he can marry the princess. Ahmed sends Marco Polo to the West to fight barbarians, but he returns just in time to save the day. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

15 April 1938 (USA)  »

Also Known As:

Marco Polo  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(copyright length)

Sound Mix:

(Western Electric Mirrophonic Recording)

Color:

(Sepiatone)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

This marked the screen debut of Samuel Goldwyn's protégé Sigrid Gurie, whom he publicly labeled "the Norwegian Garbo--even though she was born in Brooklyn, NY. See more »

Goofs

When Marco crosses a bridge, his party is attacked and his horse is driven over a cliff. A safety wire is clearly visible on the rider. See more »

Connections

Featured in History Brought to Life (1950) See more »

Soundtracks

Charming Eyes
(uncredited)
Composer unknown
Sung by Ernest Truex twice
See more »

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User Reviews

 
Old-School Entertainment
31 May 2006 | by (United States) – See all my reviews

You either get it or you don't. Like most studio films, this movie was intended to make money by providing one thing - entertainment. Not a history lesson, not social commentary. Entertainment. Like the better realized but equally fake-medieval "Adventures of Robin Hood," released the same year (1938), "The Adventures of Marco Polo" (note the similar title) provides plenty of entertainment in the comedy-adventure genre that eventually led to "Raiders of the Lost Ark." Evaluating either "Raiders" or "Marco Polo" on its historical accuracy misses the point. It's like asking how Marco is able to speak what must be flawless Mandarin, plus the language of Alan Hale's presumably Turkic people. If you gotta ask, the movie just isn't your style.

Cooper looks a little less comfortable in this role than in some others, but he's adequately wry and intrepid, never taking the role of Marco too seriously. The rarely-seen Sigrid Gurie, whose face reminds one of Garbo, even through the Asian makeup, is beautiful and ethereal as the daughter of Kublai, played with Midwestern folksiness by the affable George Barbier. (Remember, it's not supposed to be real.) As Kublai's evil vizier, Basil Rathbone emanates the same elegant menace as he did in the role of Sir Guy in "Robin Hood." The ubiquitous Alan Hale, Sr., plays his usual self, and if you look carefully you'll see teenybopper Lana Turner in a small but fully credited role.

Why aren't there any Chinese here in leading roles? Because first, the studio had big-name actors on contract and meant to use their box-office appeal to make a bundle. Second, despite the potentially impressive Asian-American talent pool in California no greed-driven executive would have counted on white audiences in 1938 to shell out Depression-era cash to watch Asian unknowns acting the leads in for-profit motion picture. "The Adventures of Marco Polo" is not "The Last Emperor," and it doesn't pretend to be. Nor is it a misconceived turkey like John Wayne's Mongol epic "The Conqueror" (1961). Instead it's only a great "family film" and simple adventurous fun in the pulp-magazine tradition.


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