A series of 19 musical and comedy "vaudeville" sketches presented in the form of a live broadcast hosted by Tommy Handley (as himself). There are two "running gags" which connect the ... See full summary »
A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
A film actress is murdered by her estranged husband who is jealous of all her young boyfriends. The next day, writer Robert Tisdall (who happens to be one such boyfriend) discovers her body on the beach. He runs to call the police, however, two witnesses think that he is the escaping murderer. Robert is arrested, but owing to a mix up at the courthouse, he escapes and goes on the run with a police constable's daughter Erica, determined to prove his innocence. Written by
Col Needham <email@example.com>
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
About 50 minutes into the film, when Erica Burgoyne and Robert Tisdall have taken refuge at night in a small town, by parking her car next to a siding just before where the railroad underpasses a bridge, the entire scene has been staged and shot as an obvious miniature, as revealed by three mistakes: the somewhat jerky motion and unnatural lighting of an automobile (indicating that it was pulled) as it moves across the bridge, above the railroad; the express train speeding under the bridge drags a length of cord behind it, as it disappears from view; the camera tracking in closer to the parked automobile hidden in the shelter of freight trains on sidings, reveals that the figures of Erica and Robert are actually modeled and painted figurines, motionless until the shot suddenly changes to a medium close-up shot of the two actors. See more »
Don't shout, I tell you! Don't shout!
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I hold with what seems to be the majority opinion here, i.e. that this early Hitchcock effort is a neglected gem. Though certainly not as well-done as some of his more noteworthy movies, I found it to be thoroughly captivating and entertaining, with the blend of suspense and humor that one finds in, say, "To Catch a Thief" or "Family Plot". Derrick deMarney as the romantic lead does a particularly fine job; sort of a foreshadowing of the kind of thing Cary Grant later did so well.
One thought is that the title is perhaps a bit of a double entendre; we always associate the phrase "Young and Innocent" with a female, but the story is really about the attempt of the lead character - a young man - to prove his innocence. Then again, is he really the lead, or is the story about the girl after all? I'm sure Hitch intended this touch of ambiguity.
Once again I have to thank American Movie Classics for bringing us another worthy movie from the past. Hitchcock fans should not miss this one (come to think of it, the only dog that I have seen from Hitch is "The Paradine Case").
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