A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
Alice White is the daughter of a shopkeeper in 1920's London. Her boyfriend, Frank Webber is a Scotland Yard detective who seems more interested in police work than in her. Frank takes ... See full summary »
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
A film actress is murdered by her estranged husband who is jealous of all her young boyfriends. The next day, writer Robert Tisdall (who happens to be one such boyfriend) discovers her body on the beach. He runs to call the police, however, two witnesses think that he is the escaping murderer. Robert is arrested, but owing to a mix up at the courthouse, he escapes and goes on the run with a police constable's daughter Erica, determined to prove his innocence. Written by
Col Needham <firstname.lastname@example.org>
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
When Robert is reaching for Erica in the mine shaft, Erica alternates reaching with her left and right hands multiple times between shots. See more »
Don't shout, I tell you! Don't shout!
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Hitchcock is in a class by himself. I'll give any of his films multiple viewings. The story and structure of "Young and Innocent" resemble "The 39 Steps," with a young woman helping a young man on the run thwart the police and prove his innocence. This film is a standout, though, not because of the story or acting (both charming), but because of a virtuoso bit of directing by the Master, in which the location of the killer is revealed. As I watched the scene unfold for the first time, I remember thinking, "This is what makes Hitchcock Hitchcock." I wish I had never seen any Hitchcock films so I could watch them all again for the first time. His is a brilliant body of work, and this is an often overlooked example of his mastery of the film art.
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