An altruistic department-store owner hires ex-convicts in order to give them a second chance at life. Unfortunately, one of the convicts he hires recruits two of his fellow ex-convicts in a plan to rob the store.
British hunter Thorndike vacationing in Bavaria has Hitler in his gun sight. He is captured, beaten, left for dead, and escapes back to London where he is hounded by German agents and aided by a young woman.
Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a ... See full summary »
Joan is the secretary to the public defender in a large city. She is in love with a career criminal named Eddie, and she believes that he is a basically good person who just had some tough breaks. She uses her influence to get him released early, and he tries to go straight after marrying her, but things don't work out, and they both go on the lam. Written by
Tim Horrigan <email@example.com>
PCA director Joseph I. Breen objected to the robbery scene details which were against the production code. Specifically, he listed "no flash of a man's face contorted with agony, no showing of a woman lying on the sidewalk, no hurling of bombs, no cop lying on the street, his face contorted with pain, no truck crushing out the life of a cop, no terrible screaming, no shots of bodies lying around, no figure of a little girl huddled in death, no shrieks." The print received by the PCA ran 100 minutes, and it is clear from the released print that some of these items and other scenes were cut, and the PCA finally gave it an approved certificate. See more »
Anywhere's our home. On the road. Out there on a cold star. Anywhere's our home.
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A superb commentary on the American judicial system and the romantic couple.
This film stands the test of time as the story of a man trying to become someone else and a woman's loss of faith in justice. Lang's comment on the difficulty of the romantic couple may stem from his former wife's transition to a Nazi, but the strong relationship between Eddie and Joan is both beautiful and disturbing. This film is meticulously shot, with perfect casting (who knew Henry Fonda was ever young?). It's always enjoyable to watch the old Hollywood movies with no blood, and very strange looking kisses.... Superb example of a Lang film and film noir. Worth watching on DVD for a quality restoration.
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