British hunter Thorndike vacationing in Bavaria has Hitler in his gun sight. He is captured, beaten, left for dead, and escapes back to London where he is hounded by German agents and aided by a young woman.
Toward the end of World War II, the allied secret service receives a partial message indicating that the Germans are researching nuclear energy to build atomic bombs. In Midwestern ... See full summary »
Joan is the secretary to the public defender in a large city. She is in love with a career criminal named Eddie, and she believes that he is a basically good person who just had some tough breaks. She uses her influence to get him released early, and he tries to go straight after marrying her, but things don't work out, and they both go on the lam. Written by
Tim Horrigan <firstname.lastname@example.org>
The song "A Thousand Dreams of You" was probably played as background music, since the published sheet music cover showed pictures of Sylvia Sidney and Henry Fonda. It is known that Fonda recorded the song on 6 November 1936, but his singing does not appear in the film. See more »
At c.77 minutes Bonnie exclaims "She's cute!" as she looks at Joan's baby. But only moments before Bonnie was told that the baby is a boy. See more »
Upon release from prison an ex-con (Henry Fonda) tries to go straight and start a decent life with his new wife (Sylvia Sidney). However, he is sacked by his former employer and increasingly desperate considers returning to a life of crime.
An impressive film with excellent direction by Fritz Lang who brings his unusual camera angles to bear on a bleak story. The film is said to be somewhat inspired by Bonnie and Clyde, but more than anything is an interesting exploration of how fate and circumstance can lead to disaster and tragedy. Moving at a crisp pace the film delivers plenty of suspense and surprises as Fonda is framed for murder not long after his release and, interestingly not long after he is fired, threatens to return to his miscreant ways. This keeps the viewer guessing as to whether Fonda's proclamations of innocence are true when he is arrested. The film is quite bleak for its time and contains quite an uncharacteristic performance from Fonda as a man desperate and disgusted by the callous treatment given him by society. Fonda doesn't entirely convince, but the film is still very good.
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