An altruistic department-store owner hires ex-convicts in order to give them a second chance at life. Unfortunately, one of the convicts he hires recruits two of his fellow ex-convicts in a plan to rob the store.
Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a ... See full summary »
British hunter Thorndike vacationing in Bavaria has Hitler in his gun sight. He is captured, beaten, left for dead, and escapes back to London where he is hounded by German agents and aided by a young woman.
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Joan is the secretary to the public defender in a large city. She is in love with a career criminal named Eddie, and she believes that he is a basically good person who just had some tough breaks. She uses her influence to get him released early, and he tries to go straight after marrying her, but things don't work out, and they both go on the lam. Written by
Tim Horrigan <firstname.lastname@example.org>
While his previous film Fury (1936), his first American film, had gone down well with critics, the Hollywood brass were unsure what to make of Fritz Lang and his politicized films. To the rescue came his Fury (1936) star, Sylvia Sidney, who loved working with him and urged her producer Walter Wanger to consider him for the directing job on You Only Live Once. Ironically, Lang's difficult ways of working on this film as well meant he didn't work again for another 18 months. See more »
Anywhere's our home. On the road. Out there on a cold star. Anywhere's our home.
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Upon release from prison an ex-con (Henry Fonda) tries to go straight and start a decent life with his new wife (Sylvia Sidney). However, he is sacked by his former employer and increasingly desperate considers returning to a life of crime.
An impressive film with excellent direction by Fritz Lang who brings his unusual camera angles to bear on a bleak story. The film is said to be somewhat inspired by Bonnie and Clyde, but more than anything is an interesting exploration of how fate and circumstance can lead to disaster and tragedy. Moving at a crisp pace the film delivers plenty of suspense and surprises as Fonda is framed for murder not long after his release and, interestingly not long after he is fired, threatens to return to his miscreant ways. This keeps the viewer guessing as to whether Fonda's proclamations of innocence are true when he is arrested. The film is quite bleak for its time and contains quite an uncharacteristic performance from Fonda as a man desperate and disgusted by the callous treatment given him by society. Fonda doesn't entirely convince, but the film is still very good.
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