Joan is the secretary to the public defender in a large city. She is in love with a career criminal named Eddie, and she believes that he is a basically good person who just had some tough breaks. She uses her influence to get him released early, and he tries to go straight after marrying her, but things don't work out, and they both go on the lam. Written by
Tim Horrigan <email@example.com>
PCA director Joseph Breen objected to the robbery scene details which were against the production code. Specifically, he listed "no flash of a man's face contorted with agony, no showing of a woman lying on the sidewalk, no hurling of bombs, no cop lying on the street, his face contorted with pain, no truck crushing out the life of a cop, no terrible screaming, no shots of bodies lying around, no figure of a little girl huddled in death, no shrieks." The print received by the PCA ran 100 minutes, and it is clear from the released print that some of these items and other scenes were cut, and the PCA finally gave it an approved certificate. See more »
Anywhere's our home. On the road. Out there on a cold star. Anywhere's our home.
See more »
One of the most intense and captivating films ever seen.
This film is the perfect definition of a masterpiece. A good story (not so different from others of the same period) perfectly developed by Lang, restless, intense, beautifully played by the characters, with a memorable end.
I will always remember the image of Henry Fonda (outstanding as ever!) blaming of his fate to Sylvia Sydney just by looking at her and framed by the little window of the visiting room of the prison; it reminded me to the speechless films of Lang where all the dialogues were replaced by the looking of the characters. No words and so much being told: pure art.
11 of 18 people found this review helpful.
Was this review helpful to you?