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The Wrong Road (1937)

 -  Crime | Drama  -  11 October 1937 (USA)
4.9
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Ratings: 4.9/10 from 106 users  
Reviews: 10 user | 1 critic

A young married couple whose plans for their life together haven't turned out as expected decide to rob the bank where the husband works of $100,000, then hide the money in a safe place and... See full summary »

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Title: The Wrong Road (1937)

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Cast

Complete credited cast:
Richard Cromwell ...
Jimmy Caldwell
Helen Mack ...
Ruth Holden
...
Mike Roberts
Horace McMahon ...
Blackie Clayton (as Horace MacMahon)
Russ Powell ...
Chief Ira Foster
...
McLean
Marjorie Main ...
Martha Foster
Rex Evans ...
Victor J. Holbrook
Joseph Crehan ...
District Attorney
Arthur Hoyt ...
Beamish
Syd Saylor ...
Big Hobo
Selmer Jackson ...
Judge
Chester Clute ...
Dan O'Fearna
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Storyline

A young married couple whose plans for their life together haven't turned out as expected decide to rob the bank where the husband works of $100,000, then hide the money in a safe place and return for it after they serve out their sentences. All goes according to plan until they get out of prison, when they find that they're being trailed by an insurance investigator and the husband's old cellmate, who has decided that he wants a cut of the money. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Genres:

Crime | Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

11 October 1937 (USA)  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (edited)

Sound Mix:

| (RCA Victor High Fidelity Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Goofs

When the couple go to see Mr Holbrook after the auction, the position of his arm on the back of the chair changes between shots. See more »

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User Reviews

 
Wrong Road, Wrong Movie
3 June 2009 | by (Ramsey, NJ) – See all my reviews

The Wrong Road is an outlandish film which lacks a shred of realism. The leads are attractive and do their best - Helen Mack is appealing and Richard Cromwell does his stalwart best (even though those of us who saw "Lives of a Bengal Lancer" remember him as the jerk who got Gary Cooper killed). And, playing against type, Lionel Atwill's character is cheerful and avuncular, which is a jolt.

But the plot itself is chock-full of holes and non-sequiturs and takes turns that rail against logic. Try as you might to give it a chance it defies you to suspend your disbelief. For instance, they get sent away to ADJOINING PRISONS and meet each other? After a while, another question arises; did they hire 10 year old screenwriters in Hollywood during the 30's?


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