Two days before Marian and Ned are to be married, he is killed by the husband of a woman he was seeing on the side. Marian becomes withdrawn and they send her to the Canadian Rockies for ... See full summary »
Alfred E. Green,
The Great Garrick (Brian Aherne) is the most celebrated London theater actor of his day (eighteenth century) and is invited to Paris to star at the Comedie Francaise, the most important ... See full summary »
Olivia de Havilland,
Edward Everett Horton
A comedy about marriage and everything relating to it. New York novelist Henry Fonda meets up with an actress, Margaret Sullavan, and the two date and later marry, though neither knows of ... See full summary »
William A. Seiter
Charming love story set on the Erie Canal in the mid-19th Century. A farmer works on the canal to earn money to buy a farm. He meets a cook on a canal boat, but she can't even consider ... See full summary »
Jonathan Street is a struggling composer when he meets and marries Annette. The problem is that Jonathan was drunk and does not want to be married. Annette does go with him to Paris and ... See full summary »
1889. An Irish lord marries a beautiful gypsy but falls off his horse and dies. His family, who hates the gypsy, chase her out of home and she takes refuge in Spain. 1937. Nearly half a century later, the gypsy, fleeing the Spanish Civil War, returns to Ireland in the company of Maria, her pretty granddaughter. Maria falls for handsome Kerry, a young horse trainer, but the trouble is that she was engaged to a man in Spain. One day, the Spanish fiancé reappears. Written by
This is the first true technicolor feature to be made in the UK. The story concerns a beautiful young Spanish gypsy woman (French actress Anna Bella) who flees to England where she falls in love with a Canadian horse trainer (Henry Fonda) against a back drop of the UK's premier horse race, The Derby.
The story is a bit unoriginal and the dialogue extremely clunky in places. There is also an element of tweeness to the depictions of gypsy life. Yet despite the so-so plot and (at times) wooden acting there is a certain charm in the film. The Technicolor photography is gorgeous and it provides a very rare colour record of what England & Ireland looked like prior to the second world war. The scenes on Epsom downs are also remarkably well filmed (considering the technical limitations of early technicolor filming on location) and the colour really brings an otherwise very average film to vivid life. There are one or two moments which would make the politically correct viewer squirm, such as the depiction of black & white minstrels.
If this film had been made in black & white i suspect it would have been long forgotten now, but as a curio it is a fascinating insight into another era. The photography is beautiful at times and make the film watchable. If only the same care had been taken with the script. Its a shame that this DVD only seems to be available in the U.S. though as i think it is calling out for a decent release.
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