Out on patrol in the war-time desert a Canadian corporal reminisces about the woman he has left behind in London and ponders whether she will fall for the charms of his rival in love. At ... See full summary »
John M. Stahl
Little Pinks is in love with a nightclub singer named Gloria. But it is a unrequited love as she does not know that he exists. Pinks is a shy busboy and Gloria only goes out with men who ... See full summary »
The town of Warlock is plagued by a gang of thugs, leading the inhabitants to hire Clay Blaisdell, a famous gunman, to act as marshal. When Blaisdell appears, he is accompanied by his ... See full summary »
Barbara gets secret plastic surgery in Switzerland in an attempt to save her marriage to Mark, but he doesn't seem interested in meeting her. She checks in to a ski resort to wait for Mark,... See full summary »
Susan Miller works behind the girdle counter in a department store and dreams about the beautiful clothes and glamour she can never hope to have. Enter May Worthington and Warren, a pair of... See full summary »
1889. An Irish lord marries a beautiful gypsy but falls off his horse and dies. His family, who hates the gypsy, chase her out of home and she takes refuge in Spain. 1937. Nearly half a century later, the gypsy, fleeing the Spanish Civil War, returns to Ireland in the company of Maria, her pretty granddaughter. Maria falls for handsome Kerry, a young horse trainer, but the trouble is that she was engaged to a man in Spain. One day, the Spanish fiancé reappears. Written by
This is the first true technicolor feature to be made in the UK. The story concerns a beautiful young Spanish gypsy woman (French actress Anna Bella) who flees to England where she falls in love with a Canadian horse trainer (Henry Fonda) against a back drop of the UK's premier horse race, The Derby.
The story is a bit unoriginal and the dialogue extremely clunky in places. There is also an element of tweeness to the depictions of gypsy life. Yet despite the so-so plot and (at times) wooden acting there is a certain charm in the film. The Technicolor photography is gorgeous and it provides a very rare colour record of what England & Ireland looked like prior to the second world war. The scenes on Epsom downs are also remarkably well filmed (considering the technical limitations of early technicolor filming on location) and the colour really brings an otherwise very average film to vivid life. There are one or two moments which would make the politically correct viewer squirm, such as the depiction of black & white minstrels.
If this film had been made in black & white i suspect it would have been long forgotten now, but as a curio it is a fascinating insight into another era. The photography is beautiful at times and make the film watchable. If only the same care had been taken with the script. Its a shame that this DVD only seems to be available in the U.S. though as i think it is calling out for a decent release.
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