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IMDb > Whom the Gods Love: The Original Story of Mozart and His Wife (1936)

Whom the Gods Love: The Original Story of Mozart and His Wife (1936) More at IMDbPro »


Overview

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Director:
Basil Dean
Writers:
Margaret Kennedy (writer)
Gordon Wellesley (scenario)
Contact:
View company contact information for Mozart on IMDbPro.
Release Date:
3 October 1940 (USA) more
User Comments:
Great Music but the Film Escaped from the Dog Pound more

Cast

  (Cast overview, first billed only)
Stephen Haggard ... Wolfgang Amadeus Mozart
Victoria Hopper ... Constance Mozart
John Loder ... Prince Lobkowitz
Liane Haid ... Aloysia
Jean Cadell ... Frau Mozart
Hubert Harben ... Leopold Mozart
Frederick Leister ... Emperor
Marie Lohr ... Empress
Laurence Hanray ... Archbishop of Salzburg (as Lawrence Hanray)
Deidre Gale ... Antoinette as a Child
Pat Fitzpatrick ... Mozart as a Boy
Norman Walker ... Emanuel Schikaneder
George Curzon ... Lorenzo Da Ponte
Richard Goolden ... Weber
Muriel George ... Frau Weber
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Additional Details

Also Known As:
Mozart (USA)
Whom the Gods Love (UK) (short title)
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Runtime:
82 min
Country:
UK
Language:
English
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono
Certification:
UK:U

Fun Stuff

Movie Connections:
Remade as Wen die Götter lieben (1942) more

FAQ

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Great Music but the Film Escaped from the Dog Pound, 10 March 2006
5/10
Author: haygraphics from Sarnia, Ontario

I have to give this a five because of the music. The material used for the soundtrack for the soundtrack was conducted by Sir Thomas Beecham, a man who was one of the GREAT conductors of the twentieth century. Almost everything I've heard done under his baton literally sparkled with life and passion. He didn't just make orchestras work, he made them dance. His handling of Mozart's work, particularly the excerpt from the second act from Figaro transcends being just beautiful music and becomes the embodiment of pure heartrending joy.

At times it's almost enough to make this turkey of a film bearable. Almost …

Nothing could be good enough to give this gobbler credibility. The film follows the chronology of Wolfie's life (more or less) but beyond the music has little else going for it. The acting is awful and the dialog is worse. The characters (?) are barely one-dimensional and any of the factual information used as source material is rewritten into dribble. Wolfie, Constanze and all the other real people this clunker was meant to depict probably roll around in their graves anytime someone airs it.

The bottom line: ten of ten for the music but a minus five for this bow-wow on celluloid.

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