Priscilla Williams is a young girl traveling with her mother, Joyce, to join her paternal grandfather, a British army colonel, at the post he commands in northern India. Upon arrival, they ...
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Ching-Ching gets lost in Shanghai and is befriended by American playboy Tommy Randall. She falls asleep in his car which winds up on a ship headed for America. Susan Parker, also on the ... See full summary »
Wealthy Edward Morgan becomes charmed with a curly-haired orphan and her pretty older sister Mary and arranges to adopt both under the alias of "Mr. Jones." As he spends more time with them, he soon finds himself falling in love with Mary.
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After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years ... See full summary »
Shirley lives with a lighthouse keeper who rescued her when her parents drowned. A truant officer decides she should go to boarding school, but she's rescued by relatives. Buddy Ebsen dances "At The Codfish Ball" with Shirley.
Shirley Temple's father, a rebel officer, sneaks back to his rundown plantation to see his family and is arrested. A Yankee takes pity and sets up an escape. Everyone is captured and the ... See full summary »
Dimples Appleby lives with the pick-pocket grandfather in 19th century New York City. She entertains the crowds while he works his racket. A rich lady makes it possible for the girl to go legit. "Uncle Tom's Cabin" is performed.
Eddie Ellison is an ex-con who spent time in Sing-Sing prison. Kay marries him as soon as he serves his time. Five years later, Eddie and his ex-convict buddy Larry, have both gone straight... See full summary »
Shirley is the orphaned survivor of an Indian attack in the Canadian West. A Mountie and his girlfriend take her in. Everybody suffers further Indian attacks and the Mountie is saved from ... See full summary »
William A. Seiter,
Priscilla Williams is a young girl traveling with her mother, Joyce, to join her paternal grandfather, a British army colonel, at the post he commands in northern India. Upon arrival, they witness the capture of Khoda Khan, leader of the rebel Indian faction. Priscilla plays at being a soldier and is even given a uniform and allowed to drill by the genial Sergeant MacDuff, but her gruff grandfather disapproves and insists she remain apart from the troops. She eventually charms him, along with everyone else on the post, including Khoda Khan, whom she wins over by returning a talisman he's dropped. When the attractive Lieutenant Brandes deserts his post to take Joyce to a dance, Khan escapes, and Brandes is arrested. As hostilities with the rebels mount, Priscilla and servant Mohammet Dihn --actually an Indian spy--take off for Khoda Khan's stronghold. Written by
Surprisingly great John Ford film starring Shirley Temple. I was unsure if I could stand her cuteness for an hour and forty minutes, but I was never as annoyed as I expected to be. She's actually quite - good (I'll probably never live that down, will I?).Once in a while, she got a bit cloying, but for the most part I enjoyed her performance. Believe me, though, John Ford and his screenwriter were careful to balance her with the rest of the film, which is indeed quite masterful. All of the other performers are pitch perfect, including C. Aubrey Smith, Cesar Romero, Michael Whalen, Constance Collier, June Lang, and especially Ford regular Victor McLaglen. He's amazing, as always. The story, based on a Rudyard Kipling book, is very good. Lang plays Temple's mother. Her husband has apparently died, and she accepts the gracious invitation of her father-in-law (Smith), a colonel in India, whom she has never met. While there, Temple becomes a sort of a mascot of the soldiers, with Sgt. MacDuff (McLaglen) taking care of her and teaching her how to be a soldier. Another soldier (Whalen) courts Temple's mother. Cesar Romero plays Khoda Khan, a bandit prince who is being held prisoner in the fort. Ford's direction is as exciting as ever, and the cinematography is halfway between the expressionism of The Informer and the naturalism of Stagecoach. The musical score is also quite good. One might object to the colonialist viewpoint of the film, but, to be fair, Wee Willie Winkie is a lot more palatable in that respect than George Stevens' much more famous Gunga Din is. 9/10.
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