Stan and Ollie are charged with delivering the deed to a valuable gold mine to the daughter of a dead prospector. However they reckon without the machinations of her evil guardian Mickey ... See full summary »
The boys' Army buddy, Eddie Smith, is killed in the trenches in France, leaving his baby girl an orphan. Back home after Armistice, they try to find Eddie's father and turn the child over ... See full summary »
Stan and Ollie give evidence which convicts vicious gangster Butch. They plan to leave town and advertise for a traveling companion to share expenses. Butch's girl replies to the advert and... See full summary »
Stan and Ollie take a trip into the mountains ('the high multitude') so that Ollie can recover from gout. Bootleggers have dumped their moonshine in the well from which the boys sample ... See full summary »
Barbershop owners Stanley and Oliver both answer a personal ad from a rich widow seeking a husband. Oliver hides Stanley's reply and mails just his own. When Oliver receives a proposal of ... See full summary »
Oliver's house is in a shambles after a wild party, and his wife is due home at noon. He calls Stanley to help him fix the place up, and the typical catastrophies ensue. Somehow, however, ... See full summary »
Door-to-door greeting card salesmen Stanley and Oliver call upon Mrs. Pierre Gustave, a woman distraught over her husband's neglect. They agree to her plan to reclaim her husband's ... See full summary »
On their way to the train station with their wives for a vacation in Atlantic City, Stanley and Oliver get a phone call from a fellow lodge member who tells them a surprise stag party in ... See full summary »
James W. Horne,
Stan and Ollie are charged with delivering the deed to a valuable gold mine to the daughter of a dead prospector. However they reckon without the machinations of her evil guardian Mickey Finn who is determined to have the gold mine for himself and his saloon singer wife Lola. Written by
Stephen Harrison <firstname.lastname@example.org>
The first Laurel & Hardy film to be computer colorized in the 1980s. See more »
During their dance routine outside of the saloon, the background scene shows the usual daily activity going on in the town. However, throughout the duration of the dance we see the same stagecoaches, cowboys, families etc on at least two, perhaps three occasions. Clearly the scene was filmed separately and used as a looped backdrop. See more »
We want to know why you're not Mary Roberts!
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Way Out West is unique in two ways. Not only is it the only Western Laurel and Hardy ever made, but it's the only feature with a title card reading, "A Stan Laurel Production." It also has one of the oldest plots since movies first flickered onto the screen, that of a daughter inheriting a gold mine from her father, which Laurel and Hardy have to deliver.
The boys have come west to give the deed to Mary Roberts (Rosina Lawrence), a present from her late father Sy. She works for Mr.Finn (James Finlayson), who runs the local saloon with his wife, singer Lola Marcel(Sharon Lynn). Together they plot to steal the deed from Mary. As Laurel and Hardy have never seen Mary, Lola pretends to be her, full of sweetness and light. Stan is his usual tactful self.
Lola: Tell me about my dear, dear daddy. Is it true that he's dead?
Stan: Well we hope he is, we buried him.
Later, when they meet the real Mary Roberts, the boys are determined to get the deed back. As Stan tells Ollie, "We'll get that deed back or I'll eat your hat!"
A running gag has the two crossing a lake to get in and out of town (on the Roach lot, this was known as Lake Laurel and Hardy). Stan crosses without incident, but Ollie manages to find the deepest part every time. As he sinks into the water, only his hat is left, floating on top.
Meanwhile the boys almost succeed in getting back the deed, but Lola corners Stan in a locked bedroom and tickles him until he hands it over (a very funny scene). Chased out of town by the sheriff, they contemplate their next move (Ollie has fallen into the lake again so his wet clothes are drying on the line). Ollie reminds Stan about the statement he made regarding a certain hat. He then forces Stan to eat it. At first he begins to cry, but after a while he gets a big napkin, sprinkles some salt on it, and begins to enjoy it. Ollie quickly pulls it away, but as Stan goes to check on his clothes, Ollie takes a bite and chews. He spits it out, disgusted. Although Ollie is disdainful of Stan, he's also a little jealous. After all, if ignorance is bliss, Stan must be ecstatic.
Just as he used his thumb as a pipe and smoked it in Blockheads, Stan is able to light a candle with his thumb in this film. All through the movie, a jealous Ollie tries to do it; when his thumb finally goes on fire, he's so terrified Stan has to come blow it out.
Way Out West is also one of their most musical pictures, featuring a duet on "Trail of the Lonesome Pine" and a great dance scene. Ollie had a fine voice, having been trained as a singer early in his career. In fact, as wonderful as their singing and dancing is, it's amazing that it occurs so infrequently in the films.
One problem that somewhat spoils the duo's great dancing is that, for some reason, it was filmed on a sound stage with obvious back projection. The only time back projection should ever be used is when someone is riding in a car or train. But even that can go terribly wrong if not done carefully. The worst back projection I've ever seen is when Lauel and Hardy are driving in the car at the end of County Hospital. It ruins what would otherwise be one of their finest shorts.
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