IMDb > Wake Up and Live (1937)

Wake Up and Live (1937) More at IMDbPro »


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Release Date:
23 August 1937 (USA) See more »
Satire on radio, built around the supposed feud between bandleader Ben Bernie and journalist Walter Winchell. | Add synopsis »
Plot Keywords:
User Reviews:
Demarest funny, Winchell phony See more (7 total) »


  (in credits order) (complete, awaiting verification)
Walter Winchell ... Walter Winchell
Ben Bernie ... Ben Bernie (as Ben Bernie and His Orchestra)

Alice Faye ... Alice Huntley

Patsy Kelly ... Patsy Kane
Ned Sparks ... Steve Cluskey

Jack Haley ... Eddie Kane
Walter Catlett ... Gus Avery
Grace Bradley ... Jean Roberts

Joan Davis ... Spanish Dancer
Leah Ray ... Cafe Singer

Miles Mander ... James Stratton

Douglas Fowley ... Herman
Etienne Girardot ... Waldo Peebles
Barnett Parker ... Foster
Paul Hurst ... McCabe
Warren Hymer ... First Gunman
Steve Condos ... Specialty Dancer (as Condos Brothers)
Nick Condos ... Specialty Dancer (as Condos Brothers)

William Demarest ... Radio Station Attendant
John Sheehan ... Radio Station Attendant
George Givot ... Manager
Edward Gargan ... Murphy, Tour Guide Supervisor
Robert Lowery ... Chauffeur
Charles Williams ... Charlie Alberts, Agent
George Chandler ... Janitor
Gary Breckner ... Announcer
rest of cast listed alphabetically:

Eddie 'Rochester' Anderson ... Elevator Operator (uncredited)
Lynn Bari ... Chorus Girl (uncredited)
George Beranger ... Accompanist (uncredited)
Barbara Brewster ... One of the Brewster Twins (uncredited)
Gloria Brewster ... One of the Brewster Twins (uncredited)
Buddy Clark ... Eddie Kane (singing voice) (uncredited)
Frank Darien ... Hay Wagon Driver (uncredited)
Jay Eaton ... Nightclub Patron (uncredited)
Franklyn Farnum ... Tourist (uncredited)
Rosemary Glosz ... Singer (uncredited)
Harry Harvey ... Agent (uncredited)
Si Jenks ... Driver of Ford Automobile (uncredited)
Fred Kelsey ... Cop (uncredited)
Elyse Knox ... Nurse (uncredited)
Hank Mann ... Eddie's Shill (uncredited)
Harold Miller ... Nightclub Patron (uncredited)
Bert Moorhouse ... Nightclub Patron (uncredited)
Paul Newlan ... Cop (uncredited)
George Offerman Jr. ... Messenger (uncredited)
Wanda Perry ... Chorus Girl (uncredited)
Ellen Prescott ... Girl (uncredited)
Cyril Ring ... Radio Man in Control Booth (uncredited)
Larry Steers ... Nightclub Patron (uncredited)
Charles Tannen ... Agent (uncredited)
Harry Tyler ... Driver of Buick Automobile (uncredited)
Allen Wood ... Jones, Tour Guide (uncredited)

Directed by
Sidney Lanfield 
Writing credits
(in alphabetical order)
Dorothea Brande  novel
Curtis Kenyon  story
Harry Tugend 
Jack Yellen 

Produced by
Kenneth Macgowan .... associate producer
Darryl F. Zanuck .... producer
Original Music by
Cyril J. Mockridge (uncredited)
Cinematography by
Edward Cronjager 
Film Editing by
Robert L. Simpson 
Production Design by
William S. Darling 
Art Direction by
Mark-Lee Kirk 
Set Decoration by
Thomas Little 
Costume Design by
Gwen Wakeling 
Second Unit Director or Assistant Director
A.F. Erickson .... assistant director
Art Department
Haldane Douglas .... associate art director
Music Department
Louis Silvers .... musical director
David Buttolph .... composer: stock music (uncredited)
Walter Scharf .... orchestrator (uncredited)
Herbert W. Spencer .... composer: stock music (uncredited)
Paul Van Loan .... composer: stock music (uncredited)
Other crew
Jack Haskell .... choreographer

Production CompaniesDistributors

Additional Details

Also Known As:
91 min
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Mirrophonic Recording)
Finland:S | USA:Approved (certificate #3120)

Did You Know?

Jack Haley's singing was dubbed by Buddy Clark.See more »
Movie Connections:
Followed by Love and Hisses (1937)See more »
Oh, But I'm HappySee more »


Why is NO video version available of WAKE UP AND LIVE, one of the great 1930's musicals?
See more »
9 out of 9 people found the following review useful.
Demarest funny, Winchell phony, 12 June 2004
Author: F Gwynplaine MacIntyre from Minffordd, North Wales

Walter Winchell started in vaudeville as a performer in Gus Edwards's 'School Days' act. (A fictionalised version of this remarkable troupe became Bing Crosby's movie 'The Star Maker'.) Between engagements, Winchell wrote and published a vaudeville newsletter, filled with showbiz gossip. He eventually became a newspaper/radio columnist, utterly ruthless in his power, quick to destroy an enemy's career and (less frequently) to aid a friend. (The Broadway revue 'Hellzapoppin' was trashed by all the critics, yet ran for more than 3 years because Winchell plugged it in his column every single day.) Although many actors and entertainers desperately coveted a mention in Winchell's column, nearly everyone in show business despised him. (Ed Sullivan once threatened to shove Winchell's head into a toilet.) Winchell wisely avoided feuding with his many enemies, aware that such action would only give them free publicity. One of Winchell's few real friends was popular radio bandleader Ben Bernie, and the two concocted a public 'feud' that was a long-running publicity stunt for them both. Several movies - most notably 'Sweet Smell of Success' and 'Blessed Event' - feature fictional journalists who are blatantly based upon Winchell.

'Wake Up and Live', an above-average Fox musical, features Winchell and Bernie playing themselves ... or, rather, fictionalised versions of themselves, designed to make Winchell look good and their phony feud look genuine. In a staged scene, Winchell rattles off his extensive knowledge of obscure nightclub acts while identifying a masked singer after hearing only a few notes. In another scene - equally staged, but funny - a shifty promoter played by Walter Catlett tries to offer Winchell a bribe. Winchell takes the money but immediately drops it into a charity poorbox. Catlett attempts to retrieve the cash, only to attract the interest of a passing policeman. This scene pays tribute to one of Winchell's few genuine redeeming traits: he was active for many charitable causes. (Winchell founded the Damon Runyon Cancer Fund.) It's fascinating to see Winchell onscreen, even though he's clearing playing a sanitised version of himself. To see him here, you'd never guess he bullied his daughter unmercifully and drove his son to suicide.

Although Winchell and Bernie are prominently featured, the frothy plotline centres on Jack Haley as a would-be radio vocalist and Alice Faye as the singer who encourages him. The sexy and vivacious Faye sings the bouncy title tune. There's a very funny scene in which Haley arrives at the radio station, hoping to audition, when he runs afoul of a sour-tempered studio usher. The usher is played by none other than William Demarest, in his usual mode. It's astonishing to realise that, as late as 1937, Demarest was still playing bit parts like this one ... still, he's very welcome here in his brief scene. Demarest assures Haley that his audition will go well, providing he doesn't get mike fright ... a phenomenon which he then describes to Haley. So, of course, as soon as Haley tries to sing he develops mike fright. There's a delightfully surrealistic sequence in which we see the microphone from Haley's viewpoint, as it morphs into a snarling demon!

There are some lively but irrelevant speciality acts, including a couple of dance routines that would never perform on an actual radio show. Lots of familiar faces in the cast list, and Patsy Kelly is less annoying than usual. The title song is the only good one here. One interesting trivia note: the opening credits of this movie feature two guys from the art department named Mark-Lee Kirk and Haldane Douglas, and their names are stacked onscreen so that 'Kirk' is directly above 'Douglas'. I wonder if a certain dimple-chinned actor, just aspiring to a film career at this point, took his screen name from the credits of this movie? I'll rate 'Wake Up and Live' 9 points out of 10.

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