The blueblooded Van Kletterings are broke; debutante Wendy, slated to remedy this by marrying rich bore Henry Morgan, instead leaves him at the altar and goes to work as a model for ... See full summary »
When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable ... See full summary »
It was Leonora Eames' childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband ... See full summary »
Barbara Bel Geddes,
Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky's The Rite of Spring is about to be performed. The ... See full summary »
The blueblooded Van Kletterings are broke; debutante Wendy, slated to remedy this by marrying rich bore Henry Morgan, instead leaves him at the altar and goes to work as a model for high-fashion clothing designer George Curson, whom she soon falls for. But he's happily married (at least on his side) and going into debt financing a show to please wife Mary's desire for stardom. Vindictive Morgan, jealous of George, hopes to hasten his ruin. Can the House of Curson be saved? Written by
Rod Crawford <firstname.lastname@example.org>
Walter Wanger wanted to make a Vogues movie since 1934 (he signed Frances Langford for it in December 1934), but waited till the Technicolor process reached a higher state of development. Langford was listed as member of the cast till 1937 and it is unknown if there were any scenes with her shot, but she does not appear in the final version. See more »
The credits appear on pieces of fabric that unroll, and after each credit appears, the fabric displaying it is cut by a fashion model with a giant pair of scissors. See more »
Vivid Technicolor, startling camerawork, swellegant fashions, and that's about it. One great song ("That Old Feeling") and a couple of beguiling specialty acts, but they're nobodies and totally unrelated to the rest of the action, so how much can you care? The story is trite and feeble even by the meager standards of 1930s musicals, and star power is lacking.
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