The blueblooded Van Kletterings are broke; debutante Wendy, slated to remedy this by marrying rich bore Henry Morgan, instead leaves him at the altar and goes to work as a model for ...
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Rita Hayworth co-stars with famed recording artist Tony Martin in this musical comedy featuring the music of Andre Kostelanetz and his orchestra. Following various comic misunderstandings, ... See full summary »
Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »
Based on a true story, a bright young man who hasn't the patience for the normal way of advancement finds that people rarely question you if your papers are in order. He becomes a marine, a... See full summary »
The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold ... See full summary »
Chronicles the early life of gay nineties-era songwriter Paul Dresser as he outgrows his job as carnival entertainer and moves up into New York society, writing one hit song after another. ... See full summary »
The blueblooded Van Kletterings are broke; debutante Wendy, slated to remedy this by marrying rich bore Henry Morgan, instead leaves him at the altar and goes to work as a model for high-fashion clothing designer George Curson, whom she soon falls for. But he's happily married (at least on his side) and going into debt financing a show to please wife Mary's desire for stardom. Vindictive Morgan, jealous of George, hopes to hasten his ruin. Can the House of Curson be saved? Written by
Rod Crawford <firstname.lastname@example.org>
Walter Wanger wanted to make a Vogues movie since 1934 (he signed Frances Langford for it in December 1934), but waited till the Technicolor process reached a higher state of development. Langford was listed as member of the cast till 1937 and it is unknown if there were any scenes with her shot, but she does not appear in the final version. See more »
The credits appear on pieces of fabric that unroll, and after each credit appears, the fabric displaying it is cut by a fashion model with a giant pair of scissors. See more »
Have not seen the entire movie as yet, but the mid to end is stunning! The usual story line was palatable but Baxter looked too old. Joan Bennett was super-duper beautiful with lovely speaking voice. Loved Mischa Auer and Alan Mowbray! The costuming was stupendous....furs, hats, ensembles to rave about. As a collector of vintage fashions, I am mesmerized by this spectacle and plan to try to find a copy of this great film.
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