The blueblooded Van Kletterings are broke; debutante Wendy, slated to remedy this by marrying rich bore Henry Morgan, instead leaves him at the altar and goes to work as a model for ... See full summary »
Larry Poole, in prison on a false charge, promise an inmate that when he gets out he will look up and help out a family. The family turns out to be a young girl, Patsy Smith, and her ... See full summary »
A musical comedy duo in their 6th year on Broadway receive an offer to perform in Hollywood making films. The change of lifestyle is inviting to the Sweethearts as the move will take them ... See full summary »
W.S. Van Dyke,
Robert Z. Leonard
Buck Boswell and his all-girl troupe are stranded in Paris, but Buck manages to con the manager of the 'Hotel de Navarre' in furnishing accommodations for his group, but the proprietor's ... See full summary »
The blueblooded Van Kletterings are broke; debutante Wendy, slated to remedy this by marrying rich bore Henry Morgan, instead leaves him at the altar and goes to work as a model for high-fashion clothing designer George Curson, whom she soon falls for. But he's happily married (at least on his side) and going into debt financing a show to please wife Mary's desire for stardom. Vindictive Morgan, jealous of George, hopes to hasten his ruin. Can the House of Curson be saved? Written by
Rod Crawford <email@example.com>
Many of the models featured in the film were based in New York and flown out to Hollywood for filming. They were among the first to be introduced to Max Factor's new Pan-Cake makeup brand, which they then took back to New York, helping to quickly popularize the new item. See more »
The credits appear on pieces of fabric that unroll, and after each credit appears, the fabric displaying it is cut by a fashion model with a giant pair of scissors. See more »
This is certainly way above average for the genre of light romantic comedy. Joan Bennett is ravishing and highly talented in the lead although Warner Baxter looks tired and a bit old for his role. Mischa Auer is predictably wonderfully funny. The plot is slight but the Technicolor is sumptuous - get a load of the shades of blue on Mischa Auer's doorman uniform. And the costumes - hundreds and hundreds of them (this is after all a fashion show). An extraordinary Costume Design achievement that should have won an Oscar but for the fact that the category didn't exist back then. A total treat for the eyes and a pleasant comedy to boot. Highly recommended.
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