During World War II an American travels to Britain to sell an old house near London that belongs to his family. But he mets Susan Trimble who lives in the house and who is strictly against ... See full summary »
An RAF squadron is brought down over occupied France. The flyers get to Paris in spite of the fact that the youngest, Baby, is injured. He must be hidden and his wounds cared for. The Gestapo has already issued orders for their arrest.
Eva is employed in a porcelain factory owned by Georg von Hochheim's grandmother, who asks him to take over the company and try to put it back into profitability. He takes on the project in... See full summary »
The period locomotive seen in this film is called "The Lion". It was one of the very first locomotives in the world, and was built in 1837 to transport passengers and luggage on the world's first passenger railway line between Liverpool and Manchester. It was rediscovered in 1923 and restored to working order. It is now on display in the Museum of Liverpool. See more »
If an Englishman grows sentiments, he goes out into the garden and shoots himself.
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I had long been anxious to see this famous British biography, and finally found a copy available. Featuring a renowned performance by Anna Neagle, one of Great Britain's most famed golden age actresses, as Queen Victoria, this film was a huge hit when released during Coronation Summer in 1937. Although not made with US audiences in mind, VICTORIA THE GREAT also hit big in the states and resulted in producer/director Herbert Wilcox and future wife Neagle making a lucrative deal to work at RKO studios. The Wilcox/Neagle RKO films never achieved the level of acclaim enjoyed by their pairings in the UK, and they returned home during the war to many years of success.
Telling the story of Victoria's courtship and marriage to Prince Albert, VICTORIA THE GREAT has a very dated and sometimes static feel to it when compared to Hollywood films of the same era. It does, however, contain some very nice moments between Neagle's Victoria and Anton Walbrook's Albert, and Victoria has never, to my knowledge, been portrayed with such humanity and tenderness (at least until MRS. BROWN.) Lavishly produced, and with a Diamond Jubilee finale in TECHNICOLOR (one has to assume the original dye transfer prints were much more impressive than the muddy quality of the videocassette I viewed)it's easy to see why this appealed to 1937 British audiences reeling from the glamor of George VI's coronation that June. So successful was this biopic that Wilcox and Neagle filmed and released a sequel the following year, 60 GLORIOUS YEARS, shot entirely in TECHNICOLOR.
While not nearly as technically slick as such Hollywood biopics as MARIE ANTOINETTE or THE LIFE OF EMILE ZOLA, this one is definitely worth a look for history lovers and royal watchers. It's also a chance to see Dame Anna Neagle in one of her most famous portrayals.
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