Winfield College students who are trying to put together the annual varsity show come into conflict with their faculty adviser, a stodgy old professor whose ideas are hopelessly out of date...
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Stage-producer J.J. Hobart, is going to put on a new show, but he doesn't know that his two partners lost the money at the stock market. Insurance salesman Rosmer Peek falls in love with ex... See full summary »
Ronny Bowers, a saxophonist in Benny Goodman's band has won a talent contest an got a ten week contract with a film studio. On his first evening he is supposed to go with the studio's star ... See full summary »
Pythias, a liberal Athenian who believes all men are brothers, is condemned to death by Dionysus, the tyrant of Syracuse, who finds this view dangerous. However, Dionysus allows Pythias to ... See full summary »
Winfield College students who are trying to put together the annual varsity show come into conflict with their faculty adviser, a stodgy old professor whose ideas are hopelessly out of date, and who won't even let the new "swing" music be played in the show. They decide to get ahold of a former student who is now a big Broadway star and have him direct their show. What they don't know is that this "star's" last three shows were big flops. Written by
Missing In Action: Memorable Musical Numbers Galore
For die-hard Berkeley fans only--this collegiate musical is certainly more a mirror of it's time than most, with lots of college men over 30 clad in beanies swooning in song over long-skirted coeds; simple plot--all the students want to present the hot new rhythms of the New Varsity Show, but the fuddy-duddy professor (Walter Catlett in usual sputtering mode) won't let them. Enter former alum and Broadway Star Dick Powell, all dimples and smiles, intent on Saving The Day With Music! The whole enterprise is a build up to the sensational Busby Berkeley finale with hundreds of dancing coeds in astounding geometrical designs; unfortunately, the less-than-memorable music is not by Al Dubin and Harry Warren (who composed the Gold Diggers series).
According to Tony Thomas's Busby Berkeley book, and reliable film historian Leslie Halliwell (and numerous other sources), this should be a 120 minute film; why has Turner, usually the standard for accuracy, released an 80 minute print--40 minutes shorter? Some collector, somewhere, must be sitting on an old studio print and, if anybody is able, the intrepid folks at Turner will track it down and we can see what will probably make this the dynamic vintage musical it should be.
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