Alan Tanner's new play opens in a week, but Tanner just can't finish the third act. He's retreated to a snowbound cottage to work, but blonde neighbor Pat Quinn wants to play. Producer ... See full summary »
Jerry and Cass have always been competitive. Now that Cass is a well respected Naval aviator like his father, Jerry leaves the submarine service to become a flying cadet with Class 61 at ... See full summary »
Olivia de Havilland,
Two cast members in studio records/casting call lists did not appear or were not identifiable in the movie. These were (with their character names): Ronald Reagan (Paul) and Broderick Crawford (Mike). Reagan is billed 6th in Daily Variety's preview cast list, indicating he was in the preview print. In addition, his character is mentioned in the pressbook as pivotal and a friend of Ann since childhood. However, none of the reviews mention him or his character, in all likelyhood because he was cut from the final released print. See more »
Throughout the movie Naval personnel are shown wearing their covers (hats) indoors. In the U.S. Navy covers are only worn indoors if a person is on watch, therefore almost every occurrence in the movie is incorrect. See more »
We Watch the Skyways
(published 1941) (uncredited)
Music by Max Steiner
Played during the opening credits and occasionally in the score See more »
Given the fact that every sub in this movie ends up at the bottom of the ocean floor during sea trials I would venture to guess that Admiral Karl Dönitz saw this and figured, "Acht Di leiber! Our U-Boats vill annnnnhiliate zose Americahns!" This would lull anyone into thinking our sub fleet was sub par. But technically, this isn't a bad movie... it's just it's so predictable. George Brent's acting is as bland as the Navy's powdered eggs and lovable lug Wayne Morris is a near-idiot that somehow makes Chief (the Navy sure must've been different than when I was in it--- no board and no initiation!). Frank McHugh does a swell job of playing Lucky, a symbiotic twin of the character Droopy he played 3 years earlier in HERE COMES THE NAVY. Nice stock shots of the Panama Canal and much better than the usual Warner Bros. middling level special effects. All in all, I hope that this was planned as a cunning piece of disinformation rather than a testimonial to the skills of the U.S. Navy in the mid-1930's. I wonder if Swede Monson ever saw this?
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