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Stella Dallas (1937)

 -  Drama | Romance  -  6 August 1937 (USA)
7.5
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Ratings: 7.5/10 from 2,764 users  
Reviews: 52 user | 23 critic

A low-class woman is willing to do whatever it takes to give her daughter a socially promising future.

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(screenplay), (screenplay), 4 more credits »
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Title: Stella Dallas (1937)

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Nominated for 2 Oscars. See more awards »

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Cast

Complete credited cast:
...
John Boles ...
...
Laurel Dallas
...
Helen Morrison
...
Ed Munn
Marjorie Main ...
Mrs. Martin
George Walcott ...
Charlie Martin
Ann Shoemaker ...
Miss Margaret Phillibrown
...
Richard Grosvenor
...
Mrs. Grosvenor
Bruce Satterlee ...
Con Morrison
Jimmy Butler ...
Con Morrison - Grown Up
Jack Egger ...
John Morrison
Dickie Jones ...
Lee Morrison
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Storyline

Working-class Stella Martin marries high-end Stephen Dallas and soon they have a daughter named Laurel. But Stephen's incessant demands of Stella to become what she isn't leads to their eventual separation. Stephen later marries Helen Morrison (his prior fiancée), and Laurel becomes the focus of Stella's life and love. Nothing is too good for Laurel as far as Stella is concerned. Determined to give her all the advantages, she takes Laurel on a trip to an expensive resort where Laurel makes friends with rich kids. After an embarrassing incident, Stella realizes that her daughter would go farther in life without Stella as her mother. Her subsequent sacrifice is shattering. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Sure - I like a good time! See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

6 August 1937 (USA)  »

Also Known As:

Als het moederhart spreekt  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on October 11, 1937 with Barbara Stanwyck, John Boles, Anne Shirley and Barbara O'Neil reprising their film roles. See more »

Goofs

When Stephen Dallas is first seen in his office, he's typing a letter. You can see that his fingers type several different keys, spaced out on the keyboard (probably in the middle of the middle rows), before he lowers his hands and stops typing to read. Then when he reads, you see that his letter ends with - -. It's not possible for him to have typed - - using the keys he was striking before he lowered his hands. See more »

Quotes

Stella Martin 'Stell' Dallas: I've always been known to have a stack of style!
See more »

Connections

Referenced in Ayn Rand: A Sense of Life (1997) See more »

Soundtracks

Margie
(1920)
Music by Con Conrad and J. Russel Robinson
Lyrics by Benny Davis
Played by the orchestra at the dance
See more »

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User Reviews

The mother of all soap operas...
30 May 2004 | by (U.S.A.) – See all my reviews

BARBARA STANWYCK knew a good, earthy role when she saw it--and knew she could do justice to STELLA DALLAS. And she does. But still, there are times when the sentiment is poured on just a bit too thick for current taste--and there are scenes where she is almost a caricature of the vulgarized creature she has become. Stanwyck's fans will probably count this among her best--but I have to admit I prefer her way with comedy in THE LADY EVE or her way with wickedness as the femme fatale of DOUBLE INDEMNITY. Here she's a good actress--but the performance is a bit mechanical at times. As for the story itself, well it is pure unadulterated soap opera and no amount of acting skill can make us forget we're watching a teary drama of sacrificial mother love.

A more subtle drama of this kind of sacrifice came later in films such as TO EACH HIS OWN--done with even more honesty and skill than the script permits here. John Boles is as bland as ever in his role as Stella's rich (and rather stuffy) husband; and Alan Hale reminds us that he was one of the most watchable character actors, no matter how obnoxious his roles were. Anne Shirley does nicely as the daughter Stanwyck is willing to sacrifice for--but the truth is, it all seems a bit old-fashioned and must have seemed so even back in 1937.

Still, there is no denying the interest in seeing how Stanwyck plays Stella. There are times when she makes the emotions seem as natural, real and raw as they could possibly be. All in all, a satisfying soap opera under King Vidor's direction.

Excellent support from handsome young Tim Holt as Anne's boyfriend and Barbara O'Neil as an understanding wife who sympathizes with Stanwyck's plight.




19 of 28 people found this review helpful.  Was this review helpful to you?

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