After Florence Fallon's father dies unappreciated in the church where he preached for many years, she becomes embittered and loses faith. She teams up with Horsby, a con man, and performs ... See full summary »
Stella Dallas is a small town girl who marries the upper class Stephen Dallas, with whom she has nothing in common. After the birth of a daughter, Laurel, the Dallases go their separate ... See full summary »
In this little Provencal village, a new baker, Aimable, settles down. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces ... See full summary »
Working-class Stella Martin marries high-end Stephen Dallas and soon they have a daughter named Laurel. But Stephen's incessant demands of Stella to become what she isn't leads to their eventual separation. Stephen later marries Helen Morrison (his prior fiancée), and Laurel becomes the focus of Stella's life and love. Nothing is too good for Laurel as far as Stella is concerned. Determined to give her all the advantages, she takes Laurel on a trip to an expensive resort where Laurel makes friends with rich kids. After an embarrassing incident, Stella realizes that her daughter would go farther in life without Stella as her mother. Her subsequent sacrifice is shattering. Written by
Barbara Stanwyck underwent a physical transformation to play her role, in which she ages some 15 or 20 years. For the first and only time in her career, she bleached her hair. In other movies where she appears blonde, she is wearing a wig - and she does don them for certain scenes here. But she wanted to use her own hair whenever possible. Wearing wigs, she said, would mean that "I couldn't do anything with my hands, like running them through my hair. Furthermore, in her home Stella's hair was neglected, unkempt - and that just can't be done realistically except with one's own hair." Goldwyn's head designer, Omar Kiam, outfitted her with some outrageously tacky costumes that reflected her character's lack of taste. Late in the film, he added lumpy padding to her torso and legs. She wore five pairs of hose to make her ankles look thick, and at times her cheeks were stuffed with cotton. "It was a matter of upholstery," Stanwyck later laughed. See more »
Ed Munn's photo on Stella's mantle moves from being beside the flowers to being directly in front of them. See more »
This is a wonderful old film that will simply take your breath away. Barbara Stanwyck is excellent as the mother Stella, who selflessly denies herself in order to give her daughter a chance in life. The movie will draw you in and the ending will leave you in tears. Barbara Stanwyck delivers a truly beautiful performance.
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