A newspaper man, his ignored fiancée, and his former employee, a down on his luck reporter, hatch an elaborate scheme to turn a false news story into the truth in order to prevent a high-society woman from suing for libel.
A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
Polly Parrish, a clerk at Merlin's Department Store, is mistakenly presumed to be the mother of a foundling. Outraged at Polly's unmotherly conduct, David Merlin becomes determined to keep ... See full summary »
Terry Randall, rich society beauty, has decided to see if she can break into the Broadway theatre scene without her family connections. She goes to live in a theatrical boarding house and finds her life caught up with those of the other inmates and the ever-present disappointment that theatrical hopefuls must live with. Her smart-mouth roommate, Jean, is approached by a powerful producer for more than just a role. And Terry's father has decided to give her career the shove by backing a production for her to star in, in which she's sure to flop. But his machinations hurt more than just Terry. Written by
The screenplay was considerably altered from the hit stage play. Director Gregory La Cava was particularly gifted working with actresses. For two weeks prior to filming, he had his cast improvise in the boarding house set as if they were actually rooming together, and had a script girl take down all their interchanges. Most of the dialog you hear in the boarding house is extemporaneous ad-libs by the actresses during rehearsals. See more »
The actress playing Mr. Powell's secretary appears to deliver her line "somebody catch her" late. The actress playing Kay did her part; she acted like someone in trouble and actually swooned, but the secretary was behind in her lines and delivered them all after Kay had already hit the floor. See more »
One of the best examples of Hollywood's Golden Age
I don't quite know how to put my passion for this film into words. It's something I never expected. I taped it off of television because I've been on a Ginger Rogers kick lately (I think I'm in love with her), and very luckily experienced something of enormous quality.
There is not a regular plot. Unlike most classical cinema, the goal towards which the film is striving is quite tenuous. Basically, the goal is for Katherine Hepburn to get a part in a play and give a good performance, but it is never stressed. Instead, what we get is more of an ensemble piece. There are characters who are more central than others, but we get to know well a great number of characters. And we live with them, experience their dreams, hardships, and successes, falling more and more deeply in love with them every minute, caring about them as we would dear friends or siblings.
It is most often referred to as a comedy, and the dialogue tends to be hilarious (Ginger Rogers is in full form here, wisecracking at the speed of light), but the film's drama is very affecting, too. This film's ending is so beautiful, and like all great films, we're reluctant to say goodbye to the characters. Fortunately, since I have it on tape, I can visit the boarding house any time I want. Unfortunately, since this film is neither on VHS nor DVD, you probably cannot. Watch for it on AMC or TCM or other stations that play classic films. You will not be disappointed. 10/10
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