Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are ... See full summary »
"Dakota," a young soldier on a pass in New York City, visits the famed Stage Door Canteen, where famous stars of the theatre and films appear and host a recreational center for servicemen ... See full summary »
Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
Terry Randall, rich society beauty, has decided to see if she can break into the Broadway theatre scene without her family connections. She goes to live in a theatrical boarding house and finds her life caught up with those of the other inmates and the ever-present disappointment that theatrical hopefuls must live with. Her smart-mouth roommate, Jean, is approached by a powerful producer for more than just a role. And Terry's father has decided to give her career the shove by backing a production for her to star in, in which she's sure to flop. But his machinations hurt more than just Terry. Written by
Katharine Hepburn's box office power had been declining and was given a smaller part than she was accustomed, and initially she was to receive second billing under Ginger Rogers. Hepburn protested to RKO producer Pandro S. Berman, who told Hepburn "she was lucky to have the 7th role in a star picture". Hepburn persisted and was given more scenes as filming progressed, and she and Ginger Rogers eventually shared side-by-side top billing. See more »
In the scene between Terry and Tony Powell, where there is discussion about being 'framed', Powell is initially opposite Terry across the shelf with the photos, whereas in the next shot he has moved to being at right angles to her on her left side. See more »
I see that, in addition to your other charms, you have that insolence generated by an inferior upbringing.
Hmm! Fancy clothes, fancy language and everything!
Unfortunately, I learned to speak English correctly.
That won't be of much use to you here. We all talk pig latin.
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You're Invited To Eat Lamb Stew With The Girls At The Footlights Club Tonight
New York City. The Footlights Club is a theatrical boarding house where young women wait for the chance to make it big on Broadway. To deal with the disappointment & bitterness that can set in, they engage in wisecracks & gossip. Fiercely loyal to their friends, they can be wickedly spiteful to those that cross them. Always before them is their dream - to capture elusive success at the STAGE DOOR.
A wonderful film, fresh & sparkling, with great dialogue infusing its wit & drama. The rapid-fire cross talk is still a real treat for viewers - as is the chance to see several fine young actresses early in their careers.
The entire cast is excellent. Brash Katharine Hepburn is the new girl who quickly meets the `regulars': feisty Ginger Rogers, cynical Lucille Ball, wisecracker Eve Arden, lively Ann Miller, snobbish Gail Patrick & sweet Andrea Leeds. While the young ladies certainly get most of the attention, be sure not to overlook Constance Collier, terrific as Miss Luther the has-been actress. Growing old on bittersweet memories, she is a constant reminder to the others what, even with success, they still might become.
Adolphe Menjou gives his usual vivid performance as an immoral producer, while Samuel S. Hinds is good as Hepburn's father. Film mavens will enjoy spotting several familiar faces in uncredited roles: Jack Carson as a Seattle lumberman; Grady Sutton as a butcher's helper; Frank Reicher as a stage director; Franklin Pangborn, hilarious as a butler; and Ralph Forbes in the role of Hepburn's stage spouse.
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