Franz Roberti is a famous orchestra conductor who has a number of girlfriends. While talking with his old music teacher, Professor Thalma, he meets Constance, an aspiring music composer. ... See full summary »
Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are ... See full summary »
In rural 1840's Scotland, Gavin Dishart arrives to become the new "little minister" of Thrums's Auld Licht church. He meets a mysterious young gypsy girl in the dens and to his horror ... See full summary »
Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
"Dakota," a young soldier on a pass in New York City, visits the famed Stage Door Canteen, where famous stars of the theatre and films appear and host a recreational center for servicemen ... See full summary »
Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh... See full summary »
Terry Randall, rich society beauty, has decided to see if she can break into the Broadway theatre scene without her family connections. She goes to live in a theatrical boarding house and finds her life caught up with those of the other inmates and the ever-present disappointment that theatrical hopefuls must live with. Her smart-mouth roommate, Jean, is approached by a powerful producer for more than just a role. And Terry's father has decided to give her career the shove by backing a production for her to star in, in which she's sure to flop. But his machinations hurt more than just Terry. Written by
Utterly perfect example of movie entertainment, 30s style
Director Gregory LaCava apparently liked to hit the bottle and so had a spotty career, but Stage Door is his masterpiece. Not in some personal, auteurist way, but in having achieved an almost ideal example of Depression-era movie entertainment. Its venue is the Footlights Club, a theatrical boarding house near Broadway, where lamb stew and broken dreams are the nightly staples. Among the gals with stiletto tongues but hearts of gold are Lucille Ball, Eve Arden, Ann Miller, Gail Patrick and formidable Constance Collier ("Could you see an older woman in the part?"). But the movie centers on the rivalry between roommates Katherine Hepburn, as a spoiled rich kid who tries acting as a lark, and Ginger Rogers, as a plucky thespian waiting for her break. Believe it or no, those diametrical opposites (aristocratic, ethereal Kate and tough, pragmatic Ginger) work like a dream together. The script negotiates a delicate path between pathos and bathos, and somehow keeps its balance, even when one of the troupers loses her grip on reality and...Well, enough said. Best of all: this is the movie in which Hepburn gets to elocute: "The calla lilies are in bloom again...." Sheerest heaven.
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