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IMDb > Something to Sing About (1937)

Something to Sing About (1937) More at IMDbPro »

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Overview

User Rating:
6.2/10   259 votes
MOVIEmeter: ?
Up 26% in popularity this week. See rank & trends on IMDbPro.
Writers:
Victor Schertzinger (story)
Austin Parker (screenplay)
Contact:
View company contact information for Something to Sing About on IMDbPro.
Release Date:
30 September 1937 (USA) more
Genre:
Comedy | Musical more
Tagline:
A Cagney You Have Never Seen! more
Plot:
A New York bandleader journeys to Hollywood when he is offered a contract with a studio, but he is determined to do things his way and not theirs. full summary | add synopsis
Awards:
Nominated for Oscar. more
User Comments:
Hollywood or Bust more
US TV Schedule:
Fri. July 173:00 PMTCM   

Cast

  (Cast overview, first billed only)

James Cagney ... Terrence 'Terry' Rooney (stage name of Thadeus McGillicuddy)
Evelyn Daw ... Rita Wyatt
William Frawley ... Hank Meyers
Mona Barrie ... Stephanie 'Steffie' Hajos

Gene Lockhart ... Bennett O. 'B.O.' Regan
Philip Ahn ... Ito (Terry's servant)
Marek Windheim ... Mr. Farney (dialogue director)
Dwight Frye ... Mr. Easton (makeup supervisor)
Johnny Arthur ... Mr. Daviani (wardrobe supervisor) (as John Arthur)
William B. Davidson ... Mr. Richards (nightclub owner) (as William Davidson)
Richard Tucker ... Mr. Blaine (the director)
Kathleen Lockhart ... Miss Amy Robbins (newspaper columnist)
James Newill ... Jimmy (band member)
Harry Barris ... Pinky (pianist in the band)
Cully Richards ... Cully (band member)
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Additional Details

Also Known As:
Battling Hoofer (USA) (recut version)
Something to Fight About (USA) (poster title)
When I'm with You (USA) (working title)
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Runtime:
93 min | USA:89 min (2005 DVD release)
Country:
USA
Language:
English
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Mirrophonic Recording)
Certification:
Spain:T | Finland:S | UK:U | USA:Approved (PCA #3628)

Fun Stuff

Trivia:
Film debut of James Newill. more
Goofs:
Revealing mistakes: Rita is in New York when she reads of Terry's supposed relationship with Steffie on the front page of the "Express" newspaper. Meanwhile in Hollywood, Terry learns of the false rumours in exactly the same way, from the exact front page of an identical "Express" newspaper. Props used the same newspaper for both coasts. Highly unlikely. more
Quotes:
Stephanie 'Steffie' Hajos: You mean HE objects to being engaged to ME for a few weeks?
Hank Meyers: Honey, he does nothing but object!
Stephanie 'Steffie' Hajos: I? Stephanie Hajos, the Great Star, condescend to have my name linked with this - this HOOFER, and HE OBJECTS? HE OBJECTS! I won't speak to him again! I won't even finish making the picture! Tell my public I am through!
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Movie Connections:
Featured in Hooray for Hollywood (1975) more
Soundtrack:
Bridal Chorus (Here Comes the Bride) more

FAQ

Chapter Headings, an unofficial version:
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1 out of 1 people found the following comment useful:-
Hollywood or Bust, 1 February 2008
Author: lugonian from Kissimmee, Florida

SOMETHING TO SING ABOUT (Grand National, 1937), directed by Victor Schertzinger, stars movie tough guy James Cagney in his second screen musical. Though not in the Busby Berkeley tradition as FOOTLIGHT PARADE (1933) where Cagney sang and dance for the first time, nor academy award potential as his legendary performance of YANKEE DOODLE DANDY (1942), it does offer Cagney a slight departure from his usual style. He's not a wiseacre nor is he slapping dames around. Although still handy with his fists when in need of them, there's a gentle side to his nature, especially his loyalty to the girl he loves. As a band-leader, Cagney gets to do some fancy footwork, yet, much of the musical interludes go to newcomer Evelyn Daw. Resembling French actress Simone Simon (CAT PEOPLE,1942) and a diva singing voice of Jeanne Madden (STAGE STRUCK,1936), Daw's film career was as short-lived as Grand National Studios itself. Slightly better than Cagney's Grand National debut, GREAT GUY (1936) due to its higher budget and reasonable plot, SOMETHING TO SING ABOUT also marked his second and farewell with the studio.

Following the pattern of a Hollywood story, though not as famous as David O. Selznick's A STAR IS BORN (1937), the plot revolves around Terry Rooney (James Cagney), a New York band-leader, with Rita "Canary" Wyatt (Evelyn Daw), the girl he loves, as his lead singer. He leaves them behind when called to Hollywood to be tested for the upcoming motion picture, "Any Old Love." Arriving by train and met by Hank Myers (William Frawley), his publicity man, and Bennett O. Regan (Gene Lockhart), president of Galor Studios, Terry finds himself going through the motions by being taught to speak correctly by the dialog coach (Marek Windheim) costume changes by the wardrobe man (Johnny Arthur); going through extremes on how to look by the make-up man (Dwight Frye); and the way how he should act by his director (Richard Tucker). During a scene, Terry loses his temper and tears up the set. With all this captured on film, it is used for the sneak preview that turns Terry into an overnight star. Unaware of how good he is, Terry, who has sent for Rita, marries her, and goes on his honeymoon to the South Seas. Upon his return, Terry (real name Thaddius McGillicuty), discovers he's a sensation and is offered a long term studio contract. He's unable to accept due to a clause that forbids him to marry. At Rita's request, he decides to abide by the studio rules, with Rita acting as his confidential secretary. Their marriage soon falls apart when Terry's name becomes romantically linked with Russian actress Stephanie Hajos (Mona Barrie).

Other members of the cast worth mentioning include Kathleen Lockhart as Emmy Robbins, a gossip columnist; James Newill, Candy Candido and Harry Barris as members of the band; William B. Davidson as Mr. Richards, the night club manager; and Philip Ahn as Ito, Terry's servant and friend who realistically shows the two ways Japanese speak, articulately, and the Hollywood stereotype of Japanese lingo ("Yes, honorable mastah"). This is something rare in movies from this era, bringing out into the open that Orientals converse just like everyone else.

Although the story is routinely done, the songs, written by Victor Schertzinger, come off as unmemorable, though a couple of dance numbers help out during the dull stretches. The song include: "Something to Sing About" (sung by Evelyn Daw during opening titles); "Here Comes the Bride" (danced by James Cagney); "Right or Wrong." (sung by Daw); "Any Old Love" (sung by Cagney); untitled dance number (performed by Cagney and male dancers); "Out of the Blue" (sung by Daw) and "Something to Sing About/"Out of the Blue" (reprise). Aside from Cagney's dancing, the title song comes off best, and is used considerably in underscoring through much of the story, along with "Out of the Blue." "Right or Wrong" the film's weaker song, is vocalized by Daw on a long distance telephone call to Hollywood with Terry (Cagney) listening on the other end.

When SOMETHING TO SING ABOUT resurfaced on commercial television in the 1970s, it played under another title, THE BAFFLING HOOFER, actually from a 1940s reissue print 15 minutes shorter than the original 93 minute length. A decade later, it turned up under its original title, and being a movie that fell victim to public domain, was distributed on video cassette through various companies. For years, video copies of SOMETHING TO SING ABOUT were inferior either audio or visually. Its cable broadcasts such as on the Nick-at-Nite Movie on Nickelodeon during the 1980s, and American Movie Classics (1989-1990) were vast improvements. SOMETHING TO SING ABOUT has later been restored with much better copies presented on Turner Classic Movies, where it premiered August 2, 2005, and finally DVD.

In closing, without the presence and charisma of James Cagney, SOMETHING TO SING ABOUT might have remained in some dark archive, along with other Grand National releases (1936-1939). Generally, the movie itself is okay, but not nearly as fun as LADY KILLER (1933), Cagney's earlier venture into Movieland. As with other films with a similar theme, it goes through the motions with behind the scenes of movie making and how fame and fortune may or may not be for the main character in question. This movie may not be something to sing about, but actually something to consider since it's a chance to see Cagney in rare form, starring in a musical and an independent production outside his home base of Warners. A fine supporting cast of veteran actors (Frawley and Lockhart) helps. (***)

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