At long last, Aladdin is about to marry the Princess Jasmine. Despite the presence and encouragement of his friends Genie, Carpet, and Abu, he is fearful and anxious. He is most worried as ... See full summary »
The first, and by far most memorable full-length animated feature from the Disney Studios, "Snow White and the Seven Dwarfs" may have been superseded technically by many of the films that followed it. But its simple story of a charming little princess saved from the evil deeds of her wicked step-mother, the queen, by a group of seven adorable dwarfs made history when it was first released in December, 1937 and has since become an incomparable screen classic. Written by
This was the first film to ever have a soundtrack recording album released for it. Because Walt Disney Pictures did not have its own music publishing company when the earlier animated films were produced, all the rights to publish the music and songs from this film are actually still controlled by the Bourne Co. In later years, the Studio was able to acquire back the rights to the music from all of the other films, except this one. Prior to Snow White and the Seven Dwarfs (1937), a movie soundtrack recording was unheard of and with little value to a movie studio. See more »
During the dwarfs' trek home from the mine, Dopey suddenly has a lantern hanging off his pick-axe that wasn't there when the trip started. See more »
Slave in the magic mirror, come from the farthest space, through wind and darkness I summon thee. Speak! Let me see thy face.
What wouldst thou know, my Queen?
Magic mirror on the wall, who is the fairest one of all?
Famed is thy beauty, Majesty. But hold, a lovely maid I see. Rags cannot hide her gentle grace. Alas, she is more fair than thee.
Alas for her! Reveal her name.
Lips red as the rose. Hair black as ebony. Skin white as snow.
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Unusual for a film of this era, the words "THE END" never appear on screen. See more »
It's spellbinding! I've just watched Snow White for the umpteenth time, and decided it's still as wondrous and lustrous as ever. The music, humour, and animation are stuck magically in the 1930's but it all seems as timeless as the story itself. The best place to see it is in a cinema of course, the same as my daughter and I did over and over again before Disney released it on video in '94.
All available positive epithets (magnificent, amazing, stupendous etc) apply to this one, nearly a 10 in my book. For good or bad SW will never be surpassed, because of capitalist pressures to ensure everything makes money: animation designed and drawn by human beings has lost out to the precise but soulless computer. Ditto music with tunes and marvellous lyrics played well. Gentle humour that the entire family can appreciate has given way to appreciation of smut and cynicism. And that's just Disney! My favourite bits: The song "Wishing", and looking up the well at SW; the dwarfs first seeing her SW in their beds asleep; the dwarfs' washing sequence and song. The only thing I never liked was the apparently rushed ending - the dwarfs are looking after SW's "inanimate" body through the seasons, this handsome guy comes along, kisses her and they both skedaddle into the massive sunset at warp speed! I think I wanted it to last another couple of hours.
Overall, to my feeble mind this is High Art! Highbrows probably don't like it because it was charming and incredibly popular, so does any normal person in the world dislike this film, and if so, why?
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