Amazon.com video review: Fans of classic movie musicals will be in heaven with two five-video sets of the films of Fred Astaire and Ginger Rogers, the quintessential dancing duo. In this second set, the pair is no longer restricted to frothy comedy revolving around mistaken identities; they occasionally explore deeper emotional threads with a bit of heartbreak. The first film is one many consider their most enjoyable, Swing Time, a dashing combination of great music, dance, and comedy. Favorite musical moments include the spectacular dance-studio number "Pick Yourself Up," the farewell ode "Never Gonna Dance," and the Oscar-winning "Just the Way You Look Tonight," from the team of Jerome Kern and Dorothy Fields. Shall We Dance features brilliant songs by George and Ira Gershwin ("They Can't Take That Away from Me," "Let's Call the Whole Thing Off" performed on roller skates) and a complex plot that has Fred and Ginger actually getting married before the final credits roll. The eighth and ninth entries in the series tried some different approaches, with Carefree more of a comedy vehicle for Ginger (yet still including some fine dances and Irving Berlin songs as well as their first onscreen kiss) and The Story of Vernon and Irene Castle portraying the pair as historical dancing stars and using a score of turn-of-the-century standards. This set also includes their 10th film, their 1949 reunion at MGM 10 years after their final film at RKO. While The Barkleys of Broadway falls short of their best work, it's a fond remembrance of the most glorious partnership in film history. --David Horiuchi
Amazon.com video review: The chemistry between Fred Astaire and Ginger Rogers was still going strong in their seventh spin around the dance floor, Shall We Dance? And this time--amidst the usual improbable plot confusions and on-again, off-again flirting between the two--they were backed up by a song score provided by the matchless George and Ira Gershwin. Among the highlights are "They All Laughed," "Let's Call the Whole Thing Off," and the Oscar-nominated "They Can't Take That Away from Me." Director Mark Sandrich, the most frequent helmer of the Astaire-Rogers pictures (including Top Hat), creates a gleaming showcase for his stars. He also brings back two devilish character actors, Edward Everett Horton and Eric Blore, to repeat their support from previous outings. Ginger is kicky and fun; she was one of the few partners who didn't look intimidated onscreen by Astaire's incomparable dancing skills. Fred is in great form himself--so good you almost believe it when he pretends to be a Russian. --Robert Horton