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The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »
William A. Seiter
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Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
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A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
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Ballet star Pete "Petrov" Peters arranges to cross the Atlantic aboard the same ship as the dancer he's fallen for but barely knows, musical star Linda Keene. By the time the ocean liner reaches New York, a little white lie has churned through the rumor mill and turned into a hot gossip item: that the two celebrities are secretly married. Written by
Diana Hamilton <email@example.com>
Considered a lesser Astaire-Rogers starring vehicle this slim-plotted musical is still a delight thanks to 3 great Gershwin songs: They Can't Take That Away from Me, Let's Call the Whole Thing Off, and They All Laughed. Slap That Brass isn't bad either.
Astaire plays a ballet star (!) who wants to dance jazz; Rogers plays a brassy revue star who is bored by men. They have two terrific dance numbers together: They All Laughed and a roller skating dance to Let's Call the Whole Thing Off.
Throw into the mix the always fun Edward Everett Horton and Eric Blore and you have a smooth and easy musical with great comedy support. Unfortunately the film also has the blah Ketti Gallian who has NO appeal whatsoever and the overblown Harriet Hoctor who was as mediocre as they come. Her ballet number is boring. Jerome Cowan, William Brisbane, and Ann Shoemaker add nothing. Indeed the film looks badly edited as Shoemaker, who gets good billing, has one brief scene aboard ship. Also Cowan has a confederate about halfway thru the film who is never even identified.
Still worth seeing for the great Gershwin songs and the matchless Ginger Rogers and Fred Astaire.
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