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The Road Back (1937)

 -  Drama  -  1 June 1937 (USA)
7.1
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Ratings: 7.1/10 from 72 users  
Reviews: 5 user | 1 critic

After World War I, a group of former German soldiers try to adjust to civilian life.

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Title: The Road Back (1937)

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Cast

Cast overview, first billed only:
John 'Dusty' King ...
Ernst
Richard Cromwell ...
Ludwig
...
Maurice Murphy ...
Albert
...
Willy
Larry J. Blake ...
Weil
John Emery ...
Captain Von Hagen
Henry Hunter ...
Bethke
...
Wessling
Eugene Gericke ...
Giesicke (as Gene Garrick)
Barbara Read ...
Lucy
...
Ernst's Mother
...
Ernst's Father
Marilyn Harris ...
Maria - Ernst's Sister
Jean Rouverol ...
Elsa
Edit

Storyline

After World War I, a group of former German soldiers try to adjust to civilian life.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

1 June 1937 (USA)  »

Also Known As:

Road Back  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Bowing to Nazi pressure, and "to cultivate the good will of Germany," Universal boss Charles R. Rogers took James Whale off the picture and ordered 21 cuts made to it. See more »

Connections

Referenced in Have You Got Any Castles? (1938) See more »

Soundtracks

Mademoiselle from Armentieres
(1919) (uncredited)
Music by Joseph Tunbridge
See more »

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User Reviews

 
Homecoming 1918
2 November 2008 | by (Berlin, GER) – See all my reviews

Remarque's novel (which I haven't read) Der Weg zurück/The Road Back is a sequel to his All Quiet on the Western Front. Whale's (or rather Universal's) The Road Back has Slim Summerville as Tjaden again and mentions the names of Kat, Detering and Paul Bäumer in order to directly tie on the preceding film's success. Without success. Surely, The Road Back has a great first half, but, alas, a second half which does not hold up very well. Whale's excellent talent in directing is apparent, but as soon as the German soldiers arrive at home after World War I, it drifts too much into sentiment and pathos, without holding back the one or the other really powerful scene, (especially the one in the mental hospital) and some truly wonderful performances by Slim Summerville and Andy Devine. The choreography of the mass scene towards the end is impressive as well (which resembles Eisenstein's famous Odessa shots a lot). So, it's not really forgettable, but slight disappointment nonetheless.


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