The Great Garrick (Brian Aherne) is the most celebrated London theater actor of his day (eighteenth century) and is invited to Paris to star at the Comedie Francaise, the most important ... See full summary »
Olivia de Havilland,
Edward Everett Horton
A seaplane departs for China. On board are a nurse escaping a loveless marriage to do work with refugees, a woman hoping to surprise her estranged son, a wealthy heiress trying to distance ... See full summary »
An Austrian prince flees his homeland when the Nazis take over and settles in London. While in London, he meets a beautiful Austrian émigré who makes him realize his mistake in leaving ... See full summary »
At the end of the world war, several German soldiers return home to their city to find the social fabric and civil order disintegrating as communist gangs roam the streets and food and jobs become scarce. Riots and massacres lead the erstwhile average men to become cynical and desperate. Written by
Remarque's novel (which I haven't read) Der Weg zurück/The Road Back is a sequel to his All Quiet on the Western Front. Whale's (or rather Universal's) The Road Back has Slim Summerville as Tjaden again and mentions the names of Kat, Detering and Paul Bäumer in order to directly tie on the preceding film's success. Without success. Surely, The Road Back has a great first half, but, alas, a second half which does not hold up very well. Whale's excellent talent in directing is apparent, but as soon as the German soldiers arrive at home after World War I, it drifts too much into sentiment and pathos, without holding back the one or the other really powerful scene, (especially the one in the mental hospital) and some truly wonderful performances by Slim Summerville and Andy Devine. The choreography of the mass scene towards the end is impressive as well (which resembles Eisenstein's famous Odessa shots a lot). So, it's not really forgettable, but slight disappointment nonetheless.
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