This short Depression-era documentary describes the importance of the Mississippi River to the United States. It laments the environmental destruction committed in the name of progress, ... See full summary »
A solitary flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a phone off the hook: discordant images a woman sees as she comes home. She naps and, ... See full summary »
The story, set in Kansas during the 1920s, covers less than a year in the life of a black teenager, and documents the veritable deluge of events which force him into sudden manhood. The ... See full summary »
Early Errol Morris documentary intersplices random chatter he captured on film of the genuinely eccentric residents of Vernon, Florida. A few examples? The preacher giving a sermon on the ... See full summary »
A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
An interne witnesses the death of a young mother in a maternity hospital delivery room. Disturbed that he might have overlooked something that could have prevented the death, he goes to a ... See full summary »
The life of a great city (Paris) from dawn until dusk, including the beautiful and the ragged, the rich and the poor, with little or no comment (intertitles) from the director, Cavalcanti (whose first film this was).
This short Depression-era documentary describes the importance of the Mississippi River to the United States. It laments the environmental destruction committed in the name of progress, particularly farming and timber practices which cause massive erosion and result in vast amounts of top soil being washed down the river into the Gulf of Mexico. The film focuses especially on the impact this has had on impoverished farmers. It ends on a very upbeat note, however, with a celebration of the TVA, "modern" farming technology, and the use of dams to control the river and prevent flooding. Written by
Extraordinary documentary which seemingly does not age
I first saw THE RIVER in the 1950's in school, in the days when watching a movie in class didn't mean turning on the TV and popping in a VHS tape, it meant rolling in the old Bell and Howell Filmosound, putting up the screen, and watching a real 16mm projected MOVIE. I saw it two more times during my school career because it had so much to say at different levels about different things. It is the story of the Mississippi River, what it means to the land, and what we have done to it. It is, let's admit, a New Deal tract, an ecology drama, and moderately political. It is an unabashed apology for the entire Tennessee Valley Authority construction project. But that out of the way, it is a poetic and almost hypnotic (due to repetitive images)narrative, well-written and dramatically read. And it doesn't hurt that the musical score, by Virgil Thompson, is arguably the greatest musical score written for any movie (it is in its orchestral suite format a concert standard and has had many recordings, and is also available as the complete score on at least one recording). You can rent this disk from Netflix and it is worth it just for The River. I also watched its predecessor, THE PLOW THAT BROKE THE PLAINS, which I didn't like as much. I passed on the other offerings. But just for THE RIVER it is worth it. My only argument with it is that the ending loses the hypnotic poetry and simply sums up the rest of the story. That aside, it is as great a documentary as has been made.
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