Pépé le Moko (1937)

Pépé le Moko is a gangster from Paris that hides in Algier's Casbah. In the Casbah, he is safe and is able to elude the police's attempts to capture him. But he misses his freedom, after ... See full summary »

Director:

Julien Duvivier

Writers:

Henri La Barthe (novel), Henri La Barthe (scenario),

Stars:

Jean Gabin, Gabriel Gabrio, Saturnin Fabre

2 wins.

Cast

Cast overview, first billed only:
Jean Gabin	...	Pépé le Moko
Gabriel Gabrio	...	Carlos
Saturnin Fabre	...	Le Grand Père
Fernand Charpin	...	Régis (as Charpin)
Lucas Gridoux	...	Inspecteur Slimane
Gilbert Gil	...	Pierrot (as Gilbert-Gil)
Marcel Dalio	...	L'Arbi (as Dalio)
Charles Granval	...	Maxime (as Granval)
Gaston Modot	...	Jimmy
René Bergeron	...	Inspecteur Meunier (as Bergeron)
Paul Escoffier	...	Chef Inspecteur Louvain (as Escoffier)
Roger Legris	...	Max (as Legris)
Jean Témerson	...	Gravère (as Temerson)
Robert Ozanne	...	Gendron
Philippe Richard	...	Janvier

Storyline

Pépé le Moko is a gangster from Paris that hides in Algier's Casbah. In the Casbah, he is safe and is able to elude the police's attempts to capture him. But he misses his freedom, after two years in the Casbah. He meets a gorgeous Parisian tourist, Gaby, and they fall in love. Native inspector Slimane tries to use her to attract Pépé out of the Casbah in order to catch him.

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Plot Keywords:

casbah | police | inspector | gangster | arrest | 

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Genres:

Crime | Drama | Romance

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Certificate:

TV-PG

Details

Country:

France

Language:

French Arabic

Release Date:

3 March 1941 (USA)

Also Known As:

Algeri

Filming Locations:

Algiers, Algeria

Box Office

Opening Weekend:

$14,100 (USA) (1 March 2002)

Gross:

$153,936 (USA) (18 October 2002)

Company Credits

Production Co:

Paris Film

Technical Specs

Runtime:

94 min

Sound Mix:

Mono (RCA Photophone)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

When Walter Wanger produced Algiers, the American remake, he tired to have all copies of "Pépé le Moko" destroyed. Fortunately, he was not able to do so.

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Goofs

In a scene after Pierrot's death, Pepe is getting progressively drunker and his suit coat opens to reveal more of his shirt. His shirt has the monogram of "JG" on the pocket; clearly the monogram of the actor (Jean Gabin) and not the character.

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Quotes

Inspecteur Slimane: Le Moko? The prince of the plunders! Fifteen convictions, 33 daylight robberies, two bank hold-ups and how about burglaries? We haven't enough fingers in this room on which to count them all! How could he not be admired?

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Connections

Referenced in Scent-imental Over You (1947)

User Reviews

The greatest French director?

Some will say Renoir.Some will say Carné.Some will say Clouzot.Some will say..yuk ..Godard..

I will say Duvivier.His career spans half a century,from the silent era to the sixties,full of detours and retreats.But when he broke through -and his epiphanies were many and various, (there are masterpieces all along his career;never until the very end he produced anything mediocre)he made brilliant films.

But those precious years just before WW2 were justly looked upon as the best French cinema that had ever been.And Duvivier was among the creme de la creme ,producing during this golden era a chef-d'oeuvre a year (la belle equipe:1936;la fin du jour:1939).But 1937 was Duvivier's year:he made not one but two classics :"un carnet de bal" and "Pepe le Moko" both rated four stars by Leonard Maltin.

"Pepe le Moko" 's screenplay is so simple it's a wonder Duvivier could make such a masterwork from such a script.More than the story itself,it's the atmosphere which matters ,and a bevy of colorful characters surrounding the hero,played by the director's favorite actor Jean Gabin :one often forgets that it's Duvivier who launched Gabin,the most famous French star of the era (and maybe of all time)in such works as "la bandera" (1935)and "la belle equipe" (1936).

"Pepe " takes place in Algiers ,in some kind of ghetto" la casbah" .the hero is a gangster who reigns in this underground world ,but we soon discover he is actually a prisoner:a cop,like a spider on its web, is waiting for him to leave his refuge to arrest him.Duvivier's camera work is dazzling ,using panoramic shots which depicts la casbah as a maze ;when Pepe finally leaves the place ,the background behind him becomes blurred ,then merges with the sea,the gate of freedom.More than a gangster story ,it's a tale of nostalgia.Pepe falls in love with a woman (Mireille Balin) "from the outside world" while talking with her about different places in Paris,ending with la place blanche where they both belong.There 's the harrowing sequence where a has-been chanteuse (Frehel) plays one of her records on a gramophone ,thinks of her glorious past,and sings the chorus with her youth's voice as her tears fall down.

There are also exciting film noir sequences:the informer (Charpin) ,more and more terrified ,as the room fills with men ready to kill him;his death against a player piano ;Pepe behind the gates in the harbor.All the final scenes had probably a strong influence on Carol Reed's "odd man out" (1947)

Remade as "Algiers" by John Cromwell(1938) ,Charles Boyer taking on Gabin's part.