Pépé le Moko is a gangster from Paris that hides in Algier's Casbah. In the Casbah, he is safe and is able to elude the police's attempts to capture him. But he misses his freedom, after ... See full summary »
Pierre Gilieth has committed a murder in Paris. He flees to Barcelona, where he runs out of money. So he joins the Spanish Foreign Legion. He meets there two fellow countrymen, Mulot and ... See full summary »
A charismatic thief makes friends with a bankrupt baron who comes to live in the thief's slum. Meanwhile the thief seeks the love of a young woman, who is held emotionally captive by her slumlord family.
In this little Provencal village, a new baker, Aimable, settles down. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces ... See full summary »
Life story of a charming scoundrel, with little dialogue other than the star/director's witty narration. As a boy, only he survives a family tragedy when he's deprived of supper (poisonous ... See full summary »
During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
Those five are unemployed penniless workers. Together they win 100,000 Francs with the national lottery. Instead of sharing the money, they buy a ruin and build an open-air cafe. But ... See full summary »
Pépé le Moko is a gangster from Paris that hides in Algier's Casbah. In the Casbah, he is safe and is able to elude the police's attempts to capture him. But he misses his freedom, after two years in the Casbah. He meets a gorgeous Parisian tourist, Gaby, and they fall in love. Native inspector Slimane tries to use her to attract Pépé out of the Casbah in order to catch him. Written by
When Walter Wanger produced Algiers (1938), the American remake, he tired to have all copies of "Pépé le Moko" destroyed. Fortunately, he was not able to do so. See more »
In a scene after Pierrot's death, Pepe is getting progressively drunker and his suit coat opens to reveal more of his shirt. His shirt has the monogram of "JG" on the pocket; clearly the monogram of the actor (Jean Gabin) and not the character. See more »
Some will say Renoir.Some will say Carné.Some will say Clouzot.Some will say..yuk ..Godard..
I will say Duvivier.His career spans half a century,from the silent era to the sixties,full of detours and retreats.But when he broke through -and his epiphanies were many and various, (there are masterpieces all along his career;never until the very end he produced anything mediocre)he made brilliant films.
But those precious years just before WW2 were justly looked upon as the best French cinema that had ever been.And Duvivier was among the creme de la creme ,producing during this golden era a chef-d'oeuvre a year (la belle equipe:1936;la fin du jour:1939).But 1937 was Duvivier's year:he made not one but two classics :"un carnet de bal" and "Pepe le Moko" both rated four stars by Leonard Maltin.
"Pepe le Moko" 's screenplay is so simple it's a wonder Duvivier could make such a masterwork from such a script.More than the story itself,it's the atmosphere which matters ,and a bevy of colorful characters surrounding the hero,played by the director's favorite actor Jean Gabin :one often forgets that it's Duvivier who launched Gabin,the most famous French star of the era (and maybe of all time)in such works as "la bandera" (1935)and "la belle equipe" (1936).
"Pepe " takes place in Algiers ,in some kind of ghetto" la casbah" .the hero is a gangster who reigns in this underground world ,but we soon discover he is actually a prisoner:a cop,like a spider on its web, is waiting for him to leave his refuge to arrest him.Duvivier's camera work is dazzling ,using panoramic shots which depicts la casbah as a maze ;when Pepe finally leaves the place ,the background behind him becomes blurred ,then merges with the sea,the gate of freedom.More than a gangster story ,it's a tale of nostalgia.Pepe falls in love with a woman (Mireille Balin) "from the outside world" while talking with her about different places in Paris,ending with la place blanche where they both belong.There 's the harrowing sequence where a has-been chanteuse (Frehel) plays one of her records on a gramophone ,thinks of her glorious past,and sings the chorus with her youth's voice as her tears fall down.
There are also exciting film noir sequences:the informer (Charpin) ,more and more terrified ,as the room fills with men ready to kill him;his death against a player piano ;Pepe behind the gates in the harbor.All the final scenes had probably a strong influence on Carol Reed's "odd man out" (1947)
Remade as "Algiers" by John Cromwell(1938) ,Charles Boyer taking on Gabin's part.
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