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The Prince and the Pauper (1937)

 -  Adventure | Drama | Family  -  8 May 1937 (USA)
7.3
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Ratings: 7.3/10 from 1,595 users  
Reviews: 16 user | 6 critic

Two lookalike boys, one a poor street kid and the other a prince, exchange places to see what the other's life is like.

Directors:

, (uncredited)

Writers:

(novel), (screenplay), 1 more credit »
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Cast

Cast overview, first billed only:
...
...
Henry Stephenson ...
...
Billy Mauch ...
Tom Canty (as The Mauch Twins)
Robert J. Mauch ...
Prince Edward (as The Mauch Twins)
...
Captain of the Guard
Eric Portman ...
First Lord
Lionel Pape ...
Second Lord
Leonard Willey ...
Murray Kinnell ...
Hugo
Halliwell Hobbes ...
Archbishop
Phyllis Barry ...
Barmaid
Ivan F. Simpson ...
Clemens (as Ivan Simpson)
Montagu Love ...
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Storyline

On the same day two boys are born: the pauper Tom and prince Edward. As a kid, Tom sneaks into the palace garden and meet the prince. They change clothes with each other but the guards discover them and throw out the prince, since they are almost identical. Nobody believe them when they try to tell the truth. Soon after, the old king dies and the prince will inherit the throne.The evil earl of Hertford attempts to murder the prince to gain power for himself. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

Mark Twain's Immortal Classic !


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

8 May 1937 (USA)  »

Also Known As:

El príncipe y el mendigo  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Freddie Bartholomew was originally considered for the central dual role. Instead, real-life twins Billy Mauch and Robert J. Mauch were hired. See more »

Goofs

The coat of arms that appears at the title sequence shows two dragons holding the shield. It should instead be the lion of England at the dexter side, and the Dragon of Wales at the sinister. See more »

Quotes

[the boys are switching clothes - the prince holds up one of Tom's tattered garments]
Prince Edward Tudor: Are there in any vermin in this?
Tom Canty: So few you'll hardly notice them at all, your highness.
See more »

Crazy Credits

This is not a history, but a tale of once upon a time. It may have happened. It may not have happened. But it could have happened. See more »

Connections

Version of Novela: El príncipe y el mendigo (1966) See more »

Soundtracks

The Roost Song
(uncredited)
Written by Erich Wolfgang Korngold and M.K. Jerome
See more »

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User Reviews

 
Sam Clemens Looks At King Eddie VI
22 April 2006 | by (United States) – See all my reviews

Mark Twain was a man who sometimes could not get a notion out of his head. He loved the issue of twins and switching births. It pervades much of his fiction, and few seem to comment on it. In one of his early sketches he tells an inquisitive reporter that the tragedy of his life was the strange death of his twin - the boy had one only one mark on his body that differs him from his brother - Twain shows it to the reporter on his own person, and says that was the boy who supposedly died mysteriously and was buried. The reporter leaves after that tidbit.

Of course the novel (which became the subject of this film and several others) is the one that people think of as Twain's "twins switching" story. It isn't. He would write (in the 1880s) a piece called "Those Amazing Twins" about a pair of Italian Siamese twins. The piece (which is not one of his best) became part of the germination that led to his last great Mississippi novel "Pudd'nhead Wilson". He separates the twin Italians into two twin brother Italian counts who turn up in the Mississippi town where the action goes. He also takes the "switched at birth" motif and uses it in the main story of Chambers the slave switched by his mother Roxey with young Tom Driscoll the wealthy heir.

Twins pop up too in "Tom Sawyer Detective" - which was based on an old 17th Century Danish murder case involving twins.

But it's "The Prince And The Pauper" (1876) that is recalled as Twain's "twin story". I think it's because the other pieces are minor or (like Wilson) full of other interesting small matters - like the business of the use of fingerprints to settle the mysteries of the plot (a first in 1894). Here it is central to Twain's looking at an appalling, inequitable social system in Tudor England.

Henry VIII is dying and his son Edward, Prince of Wales is aware that he is going to soon lose his wise father and take over the reins of government. Of course the truth is he is still too young (in 1547 he is only 11) and he really can only rule in his own right when he reaches adult age (presumably 21). He will need a "Protector" and the Duke of Norfolk and the Earl of Herford are the leading contenders.

In the film wise old Henry Stephenson is Norfolk and crafty, power-seeking Claude Rains is Hertford. Henry (Montague Love) appoints both to the governing counsel, but does not name Norfolk over Hertford (or the reverse). So Rains starts jockeying for position in a confrontation with England's premier Duke.

In reality it was more complicated. Norfolk was on the outs with Henry in 1547 (he was facing execution - his son the Earl of Surrey was executed the year before - but Henry's own death saved Norfolk). The two contenders were the Duke of Somerset (Edward Seymour), blood uncle to Edward VI through his mother, and John Dudley, Duke of Northumberland, who dreamed of placing the Dudley family and the Tudors permanently together by marrying the three Tudor heiresses, Princesses Mary and Elizabeth, and Lady Jane Grey, to his sons. One day this plan would blow up in his face (see TUDOR ROSE). Somerset's doom was tied to a similar hair-brained scheme of his brother Admiral Sir Thomas Seymour regarding marrying Princess Elizabeth (see YOUNG BESS).

Edward, in Twain's story, while waiting for the sad news, meets Tom Canty, a boy who looks almost exactly like him (here played - for a change - by the Mauch Twins). As a lark they change clothes so each can see how the other half live. Tom is soon over his head, causing his cousin Jane to question his sanity, and revealing enough to Hertford to realize that the false-King is his own key to power. Edward is unfortunately forced to endure the poverty of Tom's social class, but also the brutality of Tom's father John Canty (Barton McLaine) who is a professional thief. But Edward is soon helped by a young squire, Miles Herndon (Errol Flynn) who is trying to return to his ancestral home to regain his possessions from a greedy brother.

The twisty plot did show much of the underside of English Tudor living that many of the other early Tudor history films barely touched on (except to show the intrigues at court). It also had plenty of humor - look at the business about the usefulness of "the Great Seal of England", which is typical Twain humor. I feel this version of the story is quite good - possibly the best of the different versions of the novel that have reached the screen.


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