Raymond Dabney returns to his family after trouble with the law. He convinces the sheriff to give him a job watching the house and furniture of widow Crystal Wetherby without knowing she is...
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Ruby falls in love with small-time con man Eddie. During a botched blackmail scheme, Eddie accidentally kills the man they were setting up. Eddie takes off and Ruby is sent to a reformatory for two years.
Lil works for the Legendre Company and causes Bill to divorce Irene and marry her. She has an affair with businessman Gaerste and uses him to force society to pay attention to her. She has ... See full summary »
Cassie has come to New York and goes to work as a model where her friend Gladys works. She falls in love with wealthy young Jerry who is already married. Gladys has the same probelm with ... See full summary »
Raymond Dabney returns to his family after trouble with the law. He convinces the sheriff to give him a job watching the house and furniture of widow Crystal Wetherby without knowing she is engaged to his brother. Written by
Ed Stephan <email@example.com>
The original play opened in London on 22 January 1930, and on Broadway on 1 November 1930. See more »
When Crystal comes down the stairs she has a black silk handkerchief in her hand. She then kneels on the side of the sofa and starts talking to someone with the black handkerchief still in her hand. After the end of the talk she tosses the black handkerchief away and it falls to the floor. Then when the camera cuts back to her it's back in her hand again. See more »
I think I'm justified in saying that the Dabney line of women's hosiery and undergarments is second...
Second to none! - Underline second. - Underline none. - In the United Kingdom or the Empire, for that matter. If sales are falling - comma - and they are falling - comma - underline are - it is to you, as Sales Manager, that we look for an explanation.
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Too bad the Hays Code prevented this remake of "The Man in Possession" (1931) from being as saucy as the original, especially because there is some nice sexual tension between Jean Harlow and Robert Taylor here. Then, too, this version seems a bit padded, as if the writers or director decided that the film required more characters, more elaborate sets, more dialogue (sometimes funny, sometimes rather unnecessary) and a slightly more convoluted plot. Somehow it just doesn't gel.
Interestingly, two actors who appeared in MGM's 1931 version play their roles again here: Reginald Owen as the gold-digging prospective bridegroom and brother Claude, and Forrester Harvey as the bailiff. I definitely enjoyed the sexiness of the Robert Montgomery-Irene Purcell version much more, however--see that one, if you can.
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