Young Jane Benson just about manages to make ends meet running the large family house in Yorkshire. In love with local doctor Freddie Jarvis, she suggests they marry, but almost at once ... See full summary »

Directors:

, (uncredited)

Writers:

(story), (story) | 3 more credits »
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Cast

Complete credited cast:
...
...
Dr. Freddie Jarvis
...
Millie
Robert Douglas ...
John Flight
Louis Borel ...
Pietro
Zena Dare ...
Julie
Peter Haddon ...
Lord Petcliffe
David Tree ...
Journalist
Mackenzie Ward ...
Guy
Elisabeth Welch ...
Cabaret Singer
Carl Jaffe ...
Michel
Herbert Lomas ...
Ladbrooke
Wilfred Shine ...
Frude
Gerald Nodin ...
Cartwright
Bruce Winston ...
Director of Clinic
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Storyline

Young Jane Benson just about manages to make ends meet running the large family house in Yorkshire. In love with local doctor Freddie Jarvis, she suggests they marry, but almost at once finds she has inherited eighteen million pounds. He makes it clear he wants nothing to do with the money and what it can buy, and Jane sets off alone on a spree pursued by two ardent suitors. Jarvis finds he has gained notoriety for turning down such a catch and his plans for ernest research are soon compromised. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

29 March 1940 (USA)  »

Also Known As:

Det skete i Venedig  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Sat on the shelf for 2 years before finally granted a release. See more »

Goofs

At the private "fashion show", soon after Jane inherits the money, the first shot shows Jane and her entourage from behind, and Freddie is already seated on the far left chair (as seen from behind). Then we see Freddie standing at a display case holding a ladies shoe. When asked to pay attention to the parade of models wearing what Jane has ordered for her trousseau he walks around the seated ladies from stage right to stage left and takes his seat, the same as in the opening shot. See more »

Connections

Referenced in Round the Film Studios: No. 2 Denham Part 2 (1937) See more »

Soundtracks

Venice Night
Music by Mischa Spoliansky (as Michael Spoliansky)
Lyrics by Leslie Julian Jones (uncredited)
See more »

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User Reviews

 
In its present form, you might just want to pass on this one.
12 January 2014 | by (Bradenton, Florida) – See all my reviews

"Over the Moon" is a decent enough film, but in its present form it's a bit tough to watch. This is because a lot of conservation work needs to be done on it--at least on the copy shown on Turner Classic Movies (and usually they show the best copy available). The problems are with the picture and sound. The film is in early Technicolor but the print is so muddy that it's actually pretty ugly. Additionally, the sound is a bit muddy--making it very hard for non-Brits like me to understand everything they are saying. Cleaning the sound and/or installing closed captions would be a HUGE boon to watching the film.

The film also suffers from a bizarre problem--one that is even weirder than using Jean Harlow's double to finish "Saratoga" after she died part-way through filming. The star of the film, Merle Oberon, went through HUGE changes in her looks in the late 1930s--going from a somewhat unattractive lady to a more vivacious lady due to studio folks who saw her potential. Here is the problem with this--much of the film was made in 1937 and then the project was shelved. Then, two years later, she looked like a totally different lady--and that's when they filmed the rest!! So, in the '37 portions, she has shaved and penciled eyebrows (like Jean Harlow) and very unattractive hair that emphasized her large forehead. In the '39 portions, she has normal eyebrows and a much more becoming hairstyle--making it look like two different actresses played the role. And, since it was NOT filmed in sequence, it's very disconcerting--much like when Luis Buñuel DELIBERATELY used two different actresses to play the same role in "That Obscure Object of Desire". With Buñuel, it worked because he was a surrealist but in "Over the Moon" most viewers will just be left confused.

As for the story itself, it's a decent tale of a poor girl (Oberon) who instantly becomes a very, very, very wealthy heiress and how this helps to mess up her life. Lots of selfish hangers on suddenly become her 'friends' and her fiancé (Rex Harrison) is driven off by her new lifestyle and nasty friends. But, no matter how much charm and magic the film has, all the factors listed above do a lot to undo the good--making the film a bit of a chore to watch.


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