The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold ... See full summary »
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The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold Stokowski to lead them in a concert that leads to a radio contract. Written by
Herman Seifer <email@example.com>
On July 23, 1949, this film, double-billed with The Mikado (1939), was revived at the Little Carnegie Theatre in Manhattan. On August 31, 1949, Universal (by then called Universal International) concluded its 13-year association with Deanna Durbin, who hadn't a new feature in release for 1949. See more »
The position of Patsy's hands when she's crying on the bed. See more »
[Having just had Frost light a cigarette for him only to have it explode in his mouth]
When are you going to stop playing these cheap childish tricks on me?
John R. Frost:
The day you stop playing them on me.
Well, at least mine are funny, and new!
John R. Frost:
Oh, yeah? Well, mine work.
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I caught this movie on TCM and WOW, what a voice. Deanna was just incredible at only 16. Plus she had such personality, and who doesn't like Adolphe Menjou and Eugene Palette. This could have been just another depression era "rags to riches story" or a "let's put on a show" movie, But it had a real story, formula, yes, but a step above. I love classical music and I never realized there was a popular musical like this using only classical music. Boy how times have changed...hehe. I just can't get over Deanna's voice. And yet you just never here about her like Judy Garland. Well Judy is great but Deanna Durbin was just as great in my opinion. Too bad she didn't make more movies or record more records. I could listen to that voice all day. The director, Henry Koster, did a masterful job. The scene of the orchestra playing in the conductors house, is shot in a style way ahead of it's time and not a low budget 30's movie style. Koster went on to direct some very good movies. You can see why in this movie. This movie would be great for film students to study... a 1930's formula film, that rises above formula to Art.
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