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One Hundred Men and a Girl (1937)

6.9
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Ratings: 6.9/10 from 575 users  
Reviews: 17 user | 8 critic

The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold ... See full summary »

Director:

Writers:

(original screen play), (original screen play), 2 more credits »
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Title: One Hundred Men and a Girl (1937)

One Hundred Men and a Girl (1937) on IMDb 6.9/10

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Test your knowledge of One Hundred Men and a Girl.
Won 1 Oscar. Another 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Patricia Cardwell
...
Himself
...
John Cardwell
Alice Brady ...
Mrs. Frost
...
John R. Frost
...
Michael
...
Garage Owner
Alma Kruger ...
Mrs. Tyler
J. Scott Smart ...
Stage Doorman (as Jack Smart)
Jed Prouty ...
Bitters
Jameson Thomas ...
Russell
Howard C. Hickman ...
Johnson (as Howard Hickman)
Frank Jenks ...
Taxi Driver
Christian Rub ...
Brandstetter
Gerald Oliver Smith ...
Stevens
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Storyline

The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold Stokowski to lead them in a concert that leads to a radio contract. Written by Herman Seifer <alagain@aol.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Music

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

5 September 1937 (USA)  »

Also Known As:

100 Men and a Girl  »

Box Office

Budget:

$762,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Deanna Durbin's vocal coach was Andrés de Segurola, a former Metropolitan Opera bass who had sung with Enrico Caruso. See more »

Goofs

The position of Patsy's hands when she's crying on the bed. See more »

Quotes

Himself, Leopold Stokowski: [Patsy has come to apologize for telling a newspaper that Stokowski would be conducting her orchestra of jobless musicians] But why did you do it? You must have had a reason.
Patricia "Patsy" Cardwell: Oh, yes! I had a hundred reasons! Would you like to hear them?
Himself, Leopold Stokowski: I certainly would.
Patricia "Patsy" Cardwell: [Goes to the door of his study and counts:] One! Two! Three! Four!
[...]
See more »


Soundtracks

For He's a Jolly Good Fellow
(uncredited)
Traditional
Played by the unemployed symphony orchestra
See more »

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User Reviews

 
"The Wizard of Oz," Two Years Early
1 November 2006 | by (United States) – See all my reviews

A 16-year-old singer/actress plays a girl who travels around a city seeking a mysterious white-haired man of power who can make all her dreams come true … where have we seen that since? Though it's a naturalistic (if not realistic) film instead of a fantasy, "One Hundred Men and a Girl" seems to me strikingly close to "The Wizard of Oz" (the legendary 1939 MGM version) not only in its plot structure but its overall approach. I can't help thinking that Judy Garland screened it and based her performance in "Oz" largely on Deanna Durbin's acting here, just as I suspect Victor Fleming studied Henry Koster's direction of this film to figure out ways to make "Oz" believable on screen. Aside from the "Wizard of Oz" parallels, "One Hundred Men and a Girl" is a first-rate film, a masterpiece within the limits of its genre, with a class consciousness we're more likely to see from Warners than Universal — one of its most moving aspects is the way the jokes and polite tossed-off remarks of the rich characters become heartbreaking when the poor characters take them all too seriously. Incidentally, apropos of some of the "trivia" entries on this film, the orchestra actually heard in the film was the Philadelphia Orchestra, recorded in the Philadelphia Academy of Music on a multi-channel sound system, the first time one was used in a film (contemporary reports differ on whether 12, 14 or 28 microphones were used); by then Leopold Stokowski was no longer the Philadelphia's main conductor but he was still the orchestra's principal guest conductor and he used them in other movie projects, including "Fantasia" (1940).


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