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The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold Stokowski to lead them in a concert that leads to a radio contract. Written by
Herman Seifer <email@example.com>
The one hundred men of the title are actually the Philadelphia Orchestra. See more »
The position of Patsy's hands when she's crying on the bed. See more »
[Having just had Frost light a cigarette for him only to have it explode in his mouth]
When are you going to stop playing these cheap childish tricks on me?
John R. Frost:
The day you stop playing them on me.
Well, at least mine are funny, and new!
John R. Frost:
Oh, yeah? Well, mine work.
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This delightful family picture reflects how the public taste changes over the years. Movies, in general, were kinder to serious music then, something that no studio would even consider in tackling these days. This was a vehicle for Deanna Durbin, who reigned supreme at Universal and who had movies tailor made for her to showcase her talents.
Ms. Durbin was a cute young girl in those years. She was wonderful in the way she projected charm without being obnoxious, or bratty. Her singing voice was amazing and it was always prominently heard in all the movies she made.
The story is something typical of those years. Director Harry Koster was able to present the material in a good fashion. The film follows Ms. Durbin in her quest to help her impoverished father and his musician friends. With the help of the rich Frosts, she is able to bring together the talented unemployed music men into forming an orchestra and convincing the great Leopold Stokowski to make music with them.
The film will not disappoint Ms. Durbin's fans. Adolph Menjou plays her father. The wonderful Alice Brady and Eugene Palette are seen as the generous Frosts, and Mischa Auer plays the family friend Michael.
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