Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and... See full summary »
The story opens in Copenhagen in the year 1776 on the wedding night of the King and Princess Caroline Mathilde. But the marriage was a political alliance, and the Princess felt only repugnance for her dissolute husband. On the night of their marriage the King leaves Copenhagen on a pleasure trip abroad, but his fast life proves too much for his weak constitution. Summoned to attend him, an ... See full summary »
Blake is in love with an aristocratic woman whose husband seriously injures him. Blake's friendship with Lord Nelson provides the basis for Blake's part in the growth of Lloyd's insurance ... See full summary »
Connie Ward is in seventh heaven when Gene Morrison's band rolls into town. She is swept off her feet by trumpeter Bill Abbot. After marrying him, she joins the bands tour and learns about ... See full summary »
A new Broadway show starring Gary Blake shamelessly lampoons the rich Carraway family. To get her own back, daughter Mimi sets out to ensnare Blake, but the courtship is soon for real, to the annoyance of his co-star, hoofing chanteuse Mona Merrick. Written by
Jeremy Perkins <email@example.com>
Silly backstage story with a beautiful but uninteresting leading lady in Madeleine Carroll, this 20th Century Fox musical is buoyed by a couple of happy factors: third-billed Alice Faye, in the last of her kewpie-doll roles (after this she was always a noble leading lady, and arguably less interesting), and an excellent Irving Berlin score. Berlin had his pulse on pop music of the times like nobody else, and he delivers sumptuous ballads, rhythm numbers, and social satire from a seemingly bottomless bag of inspiration. Dick Powell, stuck with playing the sort of insipid roles he hated at Warners, doesn't seem that happy, and Cora Witherspoon, as Carroll's dotty aunt, dithers in a part that almost certainly was designed for Alice Brady. But Faye's "This Year's Kisses" and "Slumming on Park Avenue" are fabulous, and the Ritz Brothers, while nobody's favorite comedy team, are well used. It's fast and unpretentious, and rest assured, another good Berlin tune is always coming up.
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