During the Great Depression, a wealthy banker throws away his wife's expensive fur coat; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
Clark Gable plays a card cheat who has to go on the lam to avoid a pesky cop. He meets a lonely, but slightly wild, librarian, Carole Lombard, while he is hiding out. The two get married ... See full summary »
Gangster Shoots Magiz is the producer of the show in which Mary is appearing. She marries him even though she can't stand a thing about him, knowing that in his business he may not be ... See full summary »
Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the ... See full summary »
In Panama, Maggie King meets soldier Skid Johnson on his last day in the army and reluctantly agrees to a date to celebrate. The two become involved in a nightclub brawl which causes Maggie... See full summary »
Hazel Flagg of Warsaw, Vermont receives the news that her terminal case of radium poisoning from a workplace incident was a complete misdiagnosis with mixed emotions. She is happy not to be dying, but she, who has never traveled the world, was going to use the money paid to her by her factory to go to New York in style. She believes her dreams can still be realized when Wally Cook arrives in town. He is a New York reporter with the Morning Star newspaper. He believes that Hazel's valiant struggle concerning her impending death is just the type of story he needs to resurrect his name within reporting circles after a recent story he wrote led to scandal and a major demotion at the newspaper. He proposes to take Hazel to New York both to report on her story but also to provide her with a grand farewell to life. She accepts. Wally's story results in Hazel becoming the toast of New York. In spending time together, Wally and Hazel fall in love. Hazel not only has to figure out what to do ... Written by
The writers, crew, and cast of "Nothing Sacred" really do treat everything in accordance with the movie's title. No aspect of human society is immune from the sweeping satire. The comedy is fast-paced and often very sharp-edged, and almost any viewer will find it hitting close to home at one time or another, so it is best not to take it too personally. Yet this is not a mean-spirited feature, in that it treats everyone the same way, and it shows sympathy even for the very characters whose faults it so ruthlessly exposes.
Frederic March, as a hardened newsman, and Carole Lombard, as an appealing woman who is nevertheless living a lie, make a good combination. They are both likable enough to make you care about them even when they are at their most opportunistic. The supporting cast, likewise, features several good performances, with the likes of Walter Connolly and Sig Rumann getting some fine moments of their own. William Wellman shows a good feel for the material, getting good mileage out of the story without pushing it too far.
This kind of feature is somewhat unusual even among movies of its genre. Most satires choose their targets, ridicule them, and put the opposing forces in a positive light. But "Nothing Sacred" takes no sides between the small town and the big city, between the powerful and the powerless, or between one character and another. It points out the human flaws to be found in almost all of us.
This is the kind of movie that can only be enjoyed if you don't take it personally or too seriously, because in that case the message will be misunderstood. Rather than targeting any one kind of person, it intends to make some more general points about human nature that, while sometimes rather pointed, are encased in enough humor to make them palatable.
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