Crotchety old Mrs. Bransom hires a charming young man named Danny as a live-in companion. Less charmed by Danny is Mrs. Bransom's niece, Olivia, a repressed young woman who suspects Danny of foul play. When news of a local murder is revealed, Olivia suspects Danny. Although repulsed by the thought he may have committed the crime, Olivia also finds herself becoming increasingly attracted to him at the same time. Written by
Daniel Bubbeo <email@example.com>
Remade in 1964 with Albert Finney as the murderer, Dan. See more »
In Mrs. Bramson's bedroom, Danny tucks in Mrs. Bramson and leaves, closing the bedroom door with an audible click. The next scene shows Danny outside the bedroom again closing the still-open door. See more »
I forgot it was Sunday. They're goin' to church down in the villages. All got up in their Sunday best. And the organ is playin' and the windows are shinin'. Shinin' on holy things because holy things isn't afraid of the daylight. But all the time, the daylight's movin' across the floor. And by the end of the sermon, the air in the church is turnin' gray and the people isn't able to think so much of holy things anymore but only of the terrible things that's goin' on outside. Because they know ...
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The main title reads "The astonishing London and New York stage success 'Night Must Fall' ". See more »
Somewhat forgotten, uniquely entertaining "thriller" about the happenings of an old English cottage when news of a missing then discovered murdered woman surrounds household. Rosialnd Russell, looking very prim and proper(and Oh! so young!), gives a good performance as a bullied niece with loads of imagination, a repressed sexual bent, and some genuine ambivalent feelings toward life, death, and the whole notion of what is exciting and what is dull. She takes orders from the wonderful Dame May Witty giving a grand performance as an imperious woman in a wheelchair trying to clutch on to anything in her life that will still give it meaning. Her household is visited upon by a young man that has been seeing one of the servant girls - Robert Montgomery - and he manages through his "charm" to worm his way into her home. We know at the very beginning that his intentions are not noble as we see him talk about Witty's wealth and spy on her as she locks away her valuables. Witty adopts Montgomery, now working in her home, as a kind soul full of funny anecdotes and good will. Russell knows differently but either is unwilling to accept what kind of person Montgomery is or is excited by that very same kind of person he may be. The murder looms the entire time in the background. Richard Thorpe does one heck of a good job infusing this film with taut tension and gentle humour. His use of setting and cinematography in particular show great craftsmanship. He is also blessed with three strong performing leads. Witty is an absolute treasure. Russell is very good, and Montgomery gives what might be his best performance. His light Cockney-like accent is believable, and although I found his character despicable from the very beginning - that credit for making what many perceived as a charming local initially affable and then later very detestable is a credit to Montgomery's acting craft. He plays a psychopath very well indeed. Night Must Fall will not dazzle you with action sequences, nor will you even see any actual violence. The film is very talky, but wonderfully so and relies almost entirely on the dialog and the believability of the acting. Movies like this sure aren't made any more. They just involve way too much thinking.
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