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It's Never Too Late to Mend (1937)

 |  Drama  |  March 1937 (UK)
5.8
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Ratings: 5.8/10 from 138 users  
Reviews: 11 user | 1 critic

An evil prison administrator cruelly abuses the inmates at his prison, until one day the tables are turned.

Director:

(as David Macdonald)

Writers:

(dialogue), (script), 1 more credit »
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Title: It's Never Too Late to Mend (1937)

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Cast

Credited cast:
Tod Slaughter ...
Jack Livesey ...
Marjorie Taylor ...
Ian Colin ...
Laurence Hanray ...
Lawyer Crawley (as Lawrence Hanray)
D.J. Williams ...
Roy Russell ...
Rev. Mr. Eden
John Singer ...
Matthew Josephs (as Johnny Singer)
Rest of cast listed alphabetically:
Cecil Bevan ...
Prison Inspector
Douglas Stewart ...
Prison Inspector
Mavis Villiers ...
Betty
Edit

Storyline

An evil prison administrator cruelly abuses the inmates at his prison, until one day the tables are turned.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

Language:

Release Date:

March 1937 (UK)  »

Also Known As:

Never Too Late  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Visatone Marconi)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Connections

Featured in Doom Asylum (1987) See more »

Soundtracks

Rock of Ages
(uncredited)
Music by Thomas Hastings
Arranged by Jack Beaver
See more »

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User Reviews

Good 'Ol Slaughter
29 February 2008 | by (Louisville, KY) – See all my reviews

Never Too Late (1937)

** 1/2 (out of 4)

Insane, over the top and sometimes hilarious Tod Slaughter movie. Slaughter plays a psychotic Justice of the Peace who falls in love with a farmer's daughter but she wants nothing to do with him. She's in love with another guy but Slaughter will go to all ends to make sure they don't marry. Slaughter has the nickname "The British Bela Lugosi" due to his over the top performances but I personally find this an insult to Lugosi and American horror films. Lugosi went over the top quite a bit but never in the way Slaughter does, which makes his films watchable but also hurts them. His over the top style kills the melodrama in the film but it helps the campy horror side. The highlight of the film has to be the prison torture stuff because it's just so damn funny due to Slaughter's wildness.


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