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It's Never Too Late to Mend (1937)

| Drama | March 1937 (UK)
An evil prison administrator cruelly abuses the inmates at his prison, until one day the tables are turned.


(as David Macdonald)


(dialogue), (script) | 1 more credit »

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Credited cast:
Tod Slaughter ...
Jack Livesey ...
Marjorie Taylor ...
Ian Colin ...
Laurence Hanray ...
Lawyer Crawley (as Lawrence Hanray)
D.J. Williams ...
Roy Russell ...
Rev. Mr. Eden
John Singer ...
Matthew Josephs (as Johnny Singer)
Rest of cast listed alphabetically:
Cecil Bevan ...
Prison Inspector
Douglas Stewart ...
Prison Inspector
Mavis Villiers ...


An evil prison administrator cruelly abuses the inmates at his prison, until one day the tables are turned.

Plot Summary | Add Synopsis







Release Date:

March 1937 (UK)  »

Also Known As:

Never Too Late  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Visatone Marconi)

Aspect Ratio:

1.37 : 1
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Did You Know?


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Music by Franz Schubert
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User Reviews

"Spare the rod, spoil the child"
30 June 2012 | by (Australia) – See all my reviews

A bit heavy on the sentimentality, and laying on the sadism pretty thick, Tod Slaughter plays the grotesquely inhumane Justice who treats the prisoners of his local gaol as his "naughty children", taking pleasure in exacerbating their misery and humiliation. His nemesis played by Jack Livesey pledges to return the favour in spades having come in for some rough treatment after taking the rap for his friend (Ian Colin) with whom Slaughter is competing for the affections of the nubile Susan (Taylor).

There's some moments of the depravity and malevolence with which Slaughter's characters are synonymous (the rough justice meted out to poor little Matty Josephs is primed to tug at the heart strings), but director MacDonald has avoided the sexual deviancy that is present in the George King pictures. As a consequence, Slaughter's character is brutal and morally corrupt as always, but not so dastardly that he would burn at the stake for his crimes.

Livesey is pretty good as the knock-about farmer, willing to take a bullet for his friend as a square-up for having once saved his life, and Taylor is suitably torn in her chastity for her poor boyfriend abroad, and the apparent munificence and adulation poured over her family by the scheming Slaughter; her facial expressions whenever Slaughter makes veiled sexual undertones are perhaps exactly what you'd expect when a creepy, corpulent walrus-like aristocrat seeks to charm the brassiere of a virgin some thirty years his junior. Solid 66 minute citizen, but nothing remarkable.

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