A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
Anna Kalman is a London based actress. She has been unable to find love in her life. The reason why she came home early from a vacation to Majorca fits into that theme, as the man she met ... See full summary »
Ellen Arden arrives 7 years after being given up for dead in a shipwreck, to find her husband Nick just remarried to Bianca. The overjoyed Nick awkwardly tries to break the news gently to Bianca. But before he can do that, an unpleasant surprise--news that Ellen has spent the 7 years on a deserted island with fellow-survivor Burkett. Nick's jealousy tries to find out the truth. Hilarious confusion reigns before Nick chooses his favorite wife. Written by
Riaz Shaikh <firstname.lastname@example.org>
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on December 9, 1940 with Gail Patrick reprising her film role. See more »
When Nick first tries to sleep in the bed in the attic of the cabin, he pulls a toy cannon from under the bed and throws it across the room. When he does this, the doll on the night stand falls over. You can see the trip wire swinging behind Nick. In fact, the pin at the end of the wire lands on Nick's head. See more »
...albeit a little slow-paced in the first half. Leo McCarey's chaotic pace which made The Awful Truth so much fun is missed here, but Garson Kanin directs capably in his absence and the script and actors deliver enough good wit and chemistry to keep it all balanced out in the end.
Cary Grant gets himself into an unwitting romantic pickle when he's confronted by his thought to be long dead wife on his honeymoon with his new bride. Hilarity ensues, as it does in every brilliant screwball comedy Grant was the star of, and there are some priceless moments along the way.
As in The Awful Truth, Grant and Irene Dunne make a fetching and compatible screen couple. Dunne's comedic felinity and tendency to affect nutty stereotypes in order to get what she wants is better than Katharine Hepburn's imitation of her in Bringing Up Baby and The Philadelphia Story. Grant and Hepburn were terrific in their movies together too, and not taking anything away from Great Kate, but Grant and Dunne's chemistry was just that much better and it's a shame they never made more comedies together.
Hilarious in-jokey scenes between Grant and Randolph Scott, and a near scene stealing turn by Granville Bates as The Judge round out a pretty funny flick.
The Doris Day/James Garner remake "Move Over, Darling" is memorable in its own right and viewed right after this would make for a good video double-bill.
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