Mr. Dodd Takes the Air (1937)A small town electrician becomes a hit singer in New York and gets involved with a gold digger, a thief, an opera singer and the woman he loves. Director:Alfred E. Green |
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Mr. Dodd Takes the Air (1937)A small town electrician becomes a hit singer in New York and gets involved with a gold digger, a thief, an opera singer and the woman he loves. Director:Alfred E. Green |
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Kenny Baker | ... |
Claude L. Dodd
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Frank McHugh | ... |
'Sniffer' Sears
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Alice Brady | ... |
Mme. Sonia Moro
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Gertrude Michael | ... |
Jessica Stafford
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| Jane Wyman | ... |
Marjorie Day
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John Eldredge | ... |
Jim Lidin
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Henry O'Neill | ... |
D.M. Gateway
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| Harry Davenport | ... |
Doc Jeremiah George Quinn
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Ferris Taylor | ... |
Hiram P. Doremus
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Linda Perry | ... |
Information Desk Girl
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In the small town of Pewamo, Claude Dodd, an electrician singing baritone in the local Strawberry Festival is heard by the owner of the Morpheus Mattress Company, who hires him to sing on the radio program he sponsors. Before he leaves for New York with his manager, "Sniffer" Sears, he has a minor operation to cure an attack of quinsy, and is told by the doctor not to use his voice. In front of the radio microphone the following week, he finds he's a tenor when he sings, much to the chagrin of the mattress company owner, who hates tenors. But that soon changes when telegrams pour in praising his voice, so that the station owner, Gateway, offers him a contract for 52 weeks, at a salary of $1000 per week, which was upped from the initial offer by Gateway's secretary, Marjorie Day, signalling Sears. Marjorie took a liking to Claude and vice versa, so while Claude becomes wealthy and famous, he and Marjorie fall in love. Because of his fame, he meets ditsy but egotistical opera singer, ... Written by Arthur Hausner <genart@volcano.net>
None of the shenanigans in MR. DODD TAKES THE AIR ring true due to a weak script of Hollywood clichés prevalent in many of the '30s films, and the fact that KENNY BAKER, while possessing a fine tenor voice, has very little charisma for a man who has to carry most of the film. True, he's likable enough, but his acting leaves a lot to be desired. He would be featured in a few more films in the '30s and '40s, but never had a breakthrough role.
JANE WYMAN, who gets fifth billing when she has a major part in the story, is pert and vivacious as the secretary who takes an immediate interest in Baker and wants to help his career. GERTRUDE MICHAELS is "the other woman," a conniving socialite who wants to steal a device Baker has invented for improving radio's sound quality.
ALICE BRADY has an inconsequential role late in the film, as an egotistical opera singer and seems out of place in an overplayed role.
It's a minor item, an entirely forgettable film that is only worthwhile for hearing Baker sing a few songs in his own crooner style.