Mickey is a stage magician, and Goofy is a stagehand. Donald is sitting in a box seat, and soon starts heckling. Mickey retaliates, among other things by making him spit out playing cards, ... See full summary »
Pluto chases a kitten through a window and right into Mickey's lap. Mickey scolds him, and goes off to wash the kitten. Pluto falls asleep in front of the fire, and dreams of a hell ruled ... See full summary »
Goofy's in the driver's seat, Mickey's in the kitchen, and Donald's in bed in Mickey's high-tech house trailer. When Goofy comes back to eat breakfast, leaving the car on autopilot, it ... See full summary »
Donald Duck visits a museum of modern inventions; among the inventions he struggles with: a robot butler who keeps taking his hat; a package wrapping machine; a robot nursemaid; an automated barber chair.
Mickey has been reading Lewis Carroll's "Through the Looking-Glass, and What Alice Found There", and falls asleep. He finds himself on the other side of the mirror, where the furniture is ... See full summary »
Mickey, Goofy & Donald become the most inept MOOSE HUNTERS in history.
There's much fun in the forest in this little film as the three pals quickly attract the attentions of the meanest moose males in the area. Goofy & the Duck act together as a team - their impersonation of a female moose is hilarious - while Mickey's rather peripheral role foreshadows his eventual eclipse as Disney's most popular cartoon star.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.
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