Romeo and Juliet in 1930s England. The owner of the mill and the local lord are in conflict over water rights. The lord wins threatening the mill owner with financial ruin.



(book), (scenario) | 3 more credits »

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Complete credited cast:
Felix Aylmer ...
Mr. Wakem
Stephen Guest
Mrs. Tulliver
Victoria Hopper ...
Sam Livesey ...
Mr. Tulliver
Mrs. Glegg (as Marita Hunt)
F.H. Roberts ...
Mr. Glegg
William Devlin ...
Bob Jakin
Pauline de Chalus ...
Young Maggie
Eldon Gorst ...
Philip Frost ...
Anna Murrell ...
Young Lucy


Mr. Tulliver owns a mill on the Floss River in Lincolnshire. He has two children, hot-headed and arrogant Tom and kind-hearted Maggie. Maggie has a friendly relationship with the lame Philip Wakem, a good lad who is deeply fond of Maggie. But Tom cares little for Philip, the result of a long-running feud between Tom's father and Philip's, a wealthy man to whom Mr. Tulliver is in debt. As the children grow to adulthood, the bad blood between Tulliver and Wakem comes to a boil, with tragic results. Tom, now a responsible but still hot-tempered young man, tries to restore the family's lost fortunes, but also tries to stop what he perceives to be a growing romance between Maggie and Philip. But when Stephen Guest, the fiancè of Tom's and Maggie's cousin Lucy, enters the picture, a chaotic clash of romance, family pride, and deception leads to disaster. Written by Jim Beaver <>

Plot Summary | Add Synopsis

Plot Keywords:

based on novel | See All (1) »







Release Date:

14 November 1939 (USA)  »

Also Known As:

El gran vendaval  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


| (1948 reissue)

Sound Mix:

(RCA Photophone High Fidelity)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


This film received its initial television broadcast in USA 3 February 1940 on New York City's pioneer, still experimental, television station W2XBS. See more »


Mr. Glegg: When land is gone and money spent, then learning is most excellent
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Version of The Mill on the Floss (1915) See more »

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User Reviews

Don't bother to 'Floss'
13 February 2004 | by (Minffordd, North Wales) – See all my reviews

'The Mill on the Floss' was one of the lesser novels by Mary Ann Evans, who wrote under the male pseudonym George Eliot. I tried to read this dull and very turgid novel years ago, but was unable to finish it. I'll review this film version solely on its own merits, as I don't know how faithfully it follows the original novel.

The film's opening credits are printed in an Old English typeface that suggests the mediaeval period, and so it's a very poor choice for a film with a 19th-century setting. (On the other hand, about halfway into the film, we see a close-up shot of a handbill advertising an estate auction. This handbill is set in authentic Victorian type fonts, and looks *very* convincing.) Most of this film is extremely convincing in its depiction of the architecture and clothing of early 19th-century England. The precise location of this film's story is never disclosed, but - judging by the actors' accents - I'd place it as somewhere in the Cotswolds, perhaps Warwickshire.

The plot, what there is of it, involves a mill that changes hands a couple of times (over a couple of decades) between two rival families, one wealthy and one working-class. I disagree with another IMDb reviewer who claims that James Mason has only a small role in this film. Mason has the largest and most central role in this drama, as the scion of the wealthier family. As the spoilt and petulant Tom Tulliver, Mason is darkly brooding and impetuous. His performance here belongs in a better film: it made me want to see 'Wuthering Heights' recast with Mason as Heathcliff.

As this is a multi-generational saga (something which George Eliot did much better in 'Middlemarch'), several of the main roles in this film are split among two actors apiece: child actors in the prologue, adults in the main narrative. The prologue of this film features a very well-written scene, establishing Tom Tulliver as wilful and bully-ragging from an early age, and young Philip Wakeham as decent and thoughtful. Through hard labour, Philip has earned a halfpenny: Tom tries to bully it away from him, but is unwilling to take the coin by brute force: he wants Philip to *give* it to him. All the child actors in this movie, male and female, are talented and attractive. Unfortunately, all of the children speak their dialogue in posh plummy-voiced accents that are utterly unlike the accents of the actors and actresses who play those same roles as adults. This discrepancy calls attention to the staginess of the material. Regrettably, none of the later scenes are as good as this prologue.

The climax features a crowd of labourers in a rainstorm, much better paced and photographed than the earlier scenes. But modern viewers (in Britain, at least) can no longer take this sort of material seriously. By now, practically every British comedian has done a "trouble at t' mill, squire" comedy routine, parodying precisely this subject matter, so I had difficulty watching this movie with a straight face.

The character actress Martita Hunt is good in a small role, but the opening credits (in that Old English typeface) misspell her forename as 'Marita'. I'll rate this dull movie 3 points out of 10: one point apiece for James Mason's performance, the early scene with the children, and the authentic Victorian typesetting in that auctioneer's handbill.

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